Royal Academy Exhibition of 1864
The Royal Academy Exhibition of 1864 was the ninety sixth Summer Exhibition of the British Royal Academy of Arts. It was held at the National Gallery on Trafalgar Square in London between 2 May and 30 July 1864. It took place during the Victorian era and featured many prominent artists and sculptors of the period, although there were several notable absentees including Daniel Maclise who was busy working on his mural for the Palace of Westminster. This left an opening for rising artists of the younger generation to make their mark.[1]
Henry Nelson O'Neil exhibited his royal commission The Landing of Princess Alexandra at Gravesend, commemorating the wedding of the Prince of Wales and Princess Alexandra the previous year.[2] William Powell Frith was too busy working on his own painting The Marriage of the Prince of Wales, commissioned by Queen Victoria, to send in anything to the Royal Academy.[1]
Edwin Landseer's Man Proposes, God Disposes displayed an Arctic maritime disaster, inspired by Franklin's lost expedition that perished during the search for the Northwest Passage.[3] French artist James Tissot exhibited the work At the Break of Day.[4]
Gallery
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Wapping by James McNeill Whistler
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La Gloria by John Phillip
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Leisure Hours by John Everett Millais
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A Spanish Shepherd by Richard Ansdell
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Ronda, Spanish Travellers by Richard Ansdell
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Golden Hours by Frederic Leighton
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Orpheus and Eurydice by Frederic Leighton
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Dante in Exile by Frederic Leighton
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The Siren by Edward Poynter
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Choosing by George Frederic Watts
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For the Last Time by Emily Mary Osborn
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Purple and Rose by James McNeill Whistler
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Luther Pinning His Theses to the Church Door of Wittenberg by Eyre Crowe
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The Song of the Nubian Slave by Frederick Goodall
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The Courtyard of the Coptic Patriarch's House in Cairo by John Frederick Lewis
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Caged Doves, Cairo by John Frederick Lewis
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A Startling Account, Constantinople by John Frederick Lewis
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Summer Song by Frederick Goodall
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A Music Party by Arthur Hughes
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Silver and Gold by Arthur Hughes
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The Princes in the Tower by Henrietta Ward
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Ordered on Foreign Service by Robert Collinson
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George Fox Refusing to Take the Oath at Houlker Hall by John Pettie
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Preserving by Frederick Daniel Hardy
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A Deacon by Simeon Solomon
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The Lost Sheep by William James Webbe
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Jane Shore Doing Penance by Richard Redgrave
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Penelope by John Roddam Spencer Stanhope
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Robin Adair by Alexander Johnston
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Charity by Luigi Zuccoli
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My Lady Betty by Valentine Prinsep
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Catherine Seyton by John Faed
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The Flowers of the Forest by William Quiller Orchardson
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Thomas Portman with Guy Mannering and Ghillie Callum by William Henry Hopkins
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The Escape of Mary, Queen of Scots by Thomas Danby
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Waiting for the Train by Erskine Nicol
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Granville Sharp the Abolitionist Rescuing a Slave from the Hands of His Master by James Hayllar
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A Woman of San German by Robert Braithwaite Martineau
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From under the Sea by James Clarke Hook
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Music Versus Work by Joseph Edward Worrall
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Mary Fothergill and her Children by James Sant
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Matthew Marshall by Thomas Mackinlay
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Charles James Sadler by William Boxall
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Portrait of Lilly Noble by John Everett Millais
References
- ^ a b "1864 New Art Ascendant". chronicle250.com.
- ^ "The Landing of HRH the Princess Alexandra at Gravesend, March 7 1863 | Royal Museums Greenwich". www.rmg.co.uk.
- ^ Ormond p.206-8
- ^ Bulletin, Volume 62. Minneapolis Institute of Arts, 1976. p.48
See also
- Salon of 1864, contemporary art exhibition held in Paris
Bibliography
- Ormond, Richard. Sir Edwin Landseer. Philadelphia Museum of Art, 1981.
- Riding, Christine. John Everett Millais. Harry N. Abrams, 2006.