Royal Academy Exhibition of 1856
The Royal Academy Exhibition of 1856 was the annual Summer Exhibition of the British Royal Academy of Arts, the eighty eighth to be held. It was staged at the National Gallery in London between 5 May and 26 July 1856 during the Victorian era.[1] Taking place the year the Crimean War ended with the Treaty of Paris, a number of paintings made reference to the recent conflict. Peace Concluded by John Everett Millais features a wounded army officer reading news of the peace. Other works displayed by Millais were Autumn Leaves, L'Enfant du Regiment and The Blind Girl.[2] His fellow Pre-Raphaelites were also prominent with William Holman Hunt displaying The Scapegoat, April Love by Arthur Hughes and The Death of Chatterton by Henry Wallis. The Illustrated London News commented on the absence of many established members of the academy, including the president Charles Lock Eastlake.[1]
John Phillip submitted genre scenes of Spanish life, while fellow members of The Clique William Powell Frith and Edward Matthew Ward were also represented. The cityscape Christmas Day at St Peter's, Rome by David Roberts was widely acclaimed by critics, even John Ruskin who as usually unsympathetic to the artist's works. One of the major hits of the exhibition was the marine painter Clarkson Stanfield's The Abandoned depicting an abandoned ship adrift in the ocean. Today its whereabouts are unknown.[1][3] Edwin Landseer submitted the sentimental animal genre scene Saved!. Francis Grant, a future president of the academy, displayed portraits of Lord Raglan and Lord Lucan, two of the commanders during the Crimean War. Dutch artist Ary Scheffer produced a Portrait of Charles Dickens. Charles-Édouard Boutibonne's companion portraits of the French Emperor Napoleon III and his wife Eugénie were acquired by Queen Victoria for the Royal Collection.[4]
Gallery
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Byron's Early Love by Edward Matthew Ward
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Rosalind and Celia by Henry Nelson O'Neil
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Doubtful Fortune by Abraham Solomon
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The Water-Carrier of Seville by John Phillip
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Agua Fresca by John Phillip
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Venice, Approach to the Grand Canal by David Roberts
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Looking Back on Rome by David Roberts
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The Giudecca, Venice by David Roberts
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Hermione by Charles Robert Leslie
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A Dream of the Future by William Powell Frith
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Many Happy Returns of the Day by William Powell Frith
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Garden Flowers by William Powell Frith
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Saved! by Edwin Landseer
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Market Day by George Bernard O'Neill
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The Captured Runaway by William Gale
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The Three Graces by William Edward Frost
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The Measure for the Wedding Ring by Michael Frederick Halliday
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The Abandoned by Clarkson Stanfield, an engraving based on the painting
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San Giorgio Maggiore, Venice by Edward William Cooke
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Arona and the Castle of Angera, Lago Maggiore by George Edwards Hering
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The Lake of Lucerne by Thomas Danby
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The Emperor Charles V at Yuste by Alfred Elmore
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Home and the Homeless by Thomas Faed
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Home Thoughts by Emily Mary Osborn
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Isaac Newton in His Garden at Woolsthorpe by Robert Hannah
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Cranmer at Traitor's Gate by Frederick Goodall
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Assassination of Alboin, King of the Lombards by Charles Landseer
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Welcome, Bonny Boat by James Clarke Hook
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The Bride by Abraham Solomon
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Sketch for The Triumph of Music by Frederic Leighton
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Uncle Tom by Thomas Uwins
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Picciola by Robert Braithwaite Martineau
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Lady Clementina Villiers by Franz Xaver Winterhalter
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David Crawford by Daniel Macnee
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References
- ^ a b c "1856 Critics at Odds". chronicle250.com.
- ^ Prettlejohn p.142
- ^ Van der Merwe & Took p.167-68
- ^ https://www.rct.uk/collection/406011/napoleon-iii-1808-73-emperor-of-the-french
Bibliography
- Prettlejohn, Elizabeth (ed.) The Cambridge Companion to the Pre-Raphaelites. Cambridge University Press, 2012.
- Riding, Christine. John Everett Millais. Harry N. Abrams, 2006.
- Van der Merwe, Pieter & Took, Roger. The Spectacular Career of Clarkson Stanfield. Tyne and Wear County Council Museums, 1979.