Hans Dreier |
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| Born | (1885-08-21)August 21, 1885
Bremen, Germany |
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| Died | October 24, 1966(1966-10-24) (aged 81)
Bernardsville, New Jersey, United States |
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| Occupation | Art director |
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| Years active | 1919-1951 |
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Hans Dreier (August 21, 1885 – October 24, 1966) was a German motion picture art director. He was Paramount Pictures' supervising art director from 1927 until his retirement in 1950, when he was succeeded by Hal Pereira.[1]
Hans Dreier was born in Bremen, Germany in 1885. After studying architecture in Munich, Germany, Dreier worked as imperial supervising architect of the German Cameroon.[1] During World War I, he served in the German Lancers.[2]
He began his career in German films in 1919 as an assistant designer at UFA Studios. At the urging of German director Ernst Lubitsch, Dreier relocated to Hollywood in 1923 to work for Paramount. His first Hollywood film was Forbidden Paradise, directed by Lubitsch and starring Pola Negri.[2] Dreier worked as Paramount's supervising art director from 1927 until his retirement in 1950.
He made contributions to nearly 500 films during his career, including many films directed by Josef von Sternberg and Ernst Lubitsch, as well as the film It's a Gift (1934) starring W. C. Fields.[3] He was nominated for Academy Awards for his art direction on 23 occasions. He won Academy Awards for Best Art Direction (Color) for Frenchman's Creek (1944) and Samson and Delilah (1950). He also won the award for Art Direction (Black and White) for Sunset Boulevard (1950).
Selected filmography
- The Devil and the Madonna (1919)
- Figures of the Night (1920)
- Mary Magdalene (1920)
- Napoleon and the Little Washerwoman (1920)
- Kurfürstendamm (1920)
- Lady Godiva (1921)
- The Riddle of the Sphinx (1921)
- The Adventuress of Monte Carlo (1921)
- The Last Witness (1921)
- Fridericus Rex (1922)
- The Vice of Gambling (1923)
- La Boheme (1923)
- The Great Unknown (1924)
- Forbidden Paradise (1924, art director)[4]
- Underworld (1927, set design)[4]
- The Docks of New York (1928)
- The Last Command (1928)
- The Patriot (1928) (Oscar nominee)
- Morocco (1930) (Oscar nominee)
- The Love Parade (1930) (Oscar nominee)
- The Vagabond King (1930) (Oscar nominee)
- A Farewell to Arms (1932) (Oscar nominee)
- One Hour with You (1932)
- Trouble in Paradise (1932)
- Shanghai Express (1932)
- Cleopatra (1934)
- The Lives of a Bengal Lancer (1935) (Oscar nominee)
- If I Were King (1938) (Oscar nominee)
- Arise, My Love (1940) (Oscar nominee)
- North West Mounted Police (1940) (Oscar nominee)
- The Lady Eve (1941)
- Holiday Inn (1942, art director with Roland Anderson)[4]
- Road to Morocco (1942)
- Take a Letter, Darling (1942) (Oscar nominee)
- Five Graves to Cairo (1943) (Oscar nominee)
- For Whom the Bell Tolls (1943) (Oscar nominee)
- Double Indemnity (1944, art director with Hal Pereira)
- Going My Way (1944)
- Frenchman's Creek (1944, art director with Ernst Fegte) (Oscar winner)
- Kitty (1945) (Oscar nominee)
- The Lost Weekend (1945, art director with Ted Hedrick)
- Love Letters (1945) (Oscar nominee)
- A Foreign Affair (1948)
- Samson and Delilah (1950, art director with Walter Tyler) (Oscar winner)
- Sunset Boulevard (1950, art director with John Meehan) (Oscar winner)
- A Place in the Sun (1951)
See also
References
- ^ a b "Obituaries". Variety. November 1, 1966. p. 11.
- ^ a b Hambley, John; Downing; Patrick (1979). The Art of Hollywood a Thames Television Exhibition At the Victoria and Albert Museum. London: Thames. p. 37.
- ^ Deschner, Donald (1966). The Films of W.C. Fields. New York: Cadillac Publishing by arrangement with The Citadel Press. p. 103. Introduction by Arthur Knight
- ^ a b c "Hall of Fame: Hans Dreier". Art Directors Guild. September 16, 2020.
External links
Authority control databases |
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| International | |
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| National | |
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| Artists | |
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| People | |
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| Other | |
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Interior Decoration (1927–1939) | |
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Black & White / Color (1940–1946) |
- 1940 (bw): Cedric Gibbons and Paul Groesse / (c): Vincent Korda
- 1941 (bw): Richard Day, Nathan Juran, and Thomas Little / (c): Cedric Gibbons, Urie McCleary, and Edwin B. Willis
- 1942 (bw): Richard Day, Joseph C. Wright, and Thomas Little / (c): Richard Day, Joseph C. Wright, and Thomas Little
- 1943 (bw): James Basevi, William S. Darling, and Thomas Little / (c): Alexander Golitzen, John B. Goodman, Russell A. Gausman, and Ira S. Webb
- 1944 (bw): Cedric Gibbons, William Ferrari, Paul Huldschinsky, and Edwin B. Willis / (c): Wiard Ihnen and Thomas Little
- 1945 (bw): Wiard Ihnen and A. Roland Fields / (c): Hans Dreier, Ernst Fegté, and Samuel M. Comer
- 1946 (bw): William S. Darling, Lyle R. Wheeler, Thomas Little, and Frank E. Hughes / (c): Cedric Gibbons, Paul Groesse, and Edwin B. Willis
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Art Direction–Set Decoration Black & White / Color (1947–1956) |
- 1947 (bw): John Bryan and Wilfred Shingleton / (c): Alfred Junge
- 1948 (bw): Roger K. Furse and Carmen Dillon / (c): Hein Heckroth and Arthur Lawson
- 1949 (bw): Harry Horner, John Meehan, and Emile Kuri / (c): Cedric Gibbons, Paul Groesse, Edwin B. Willis, and Jack D. Moore
- 1950 (bw): Hans Dreier, John Meehan, Samuel M. Comer, and Ray Moyer / (c): Hans Dreier, Walter Tyler, Samuel M. Comer, and Ray Moyer
- 1951 (bw): Richard Day and George James Hopkins / (c): Cedric Gibbons, E. Preston Ames, Edwin B. Willis, and F. Keogh Gleason
- 1952 (bw): Cedric Gibbons, Edward Carfagno, Edwin B. Willis, and F. Keogh Gleason /(c): Paul Sheriff and Marcel Vertès
- 1953 (bw): Cedric Gibbons, Edward Carfagno, Edwin B. Willis, and Hugh Hunt / (c): Lyle R. Wheeler, George Davis, Walter M. Scott, and Paul S. Fox
- 1954 (bw): Richard Day / (c): John Meehan and Emile Kuri
- 1955 (bw): Hal Pereira, Tambi Larsen, Samuel M. Comer, and Arthur Krams / (c): William Flannery, Jo Mielziner, and Robert Priestley
- 1956 (bw): Cedric Gibbons, Malcolm F. Brown, Edwin B. Willis, and F. Keogh Gleason / (c): Lyle R. Wheeler, John DeCuir, Walter M. Scott, and Paul S. Fox
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| 1957–1958 | |
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Black & White / Color (1959–1966) |
- 1959 (bw): Lyle R. Wheeler, George Davis, Walter M. Scott, and Stuart A. Reiss / (c): William A. Horning (posthumous award), Edward Carfagno, and Hugh Hunt
- 1960 (bw): Alexandre Trauner and Edward G. Boyle / (c): Alexander Golitzen, Eric Orbom (posthumous award), Russell A. Gausman, and Julia Heron
- 1961 (bw): Harry Horner and Gene Callahan / (c): Boris Leven and Victor A. Gangelin
- 1962 (bw): Alexander Golitzen, Henry Bumstead, and Oliver Emert /(c): John Box, John Stoll, and Dario Simoni
- 1963 (bw): Gene Callahan / (c): John DeCuir, Jack Martin Smith, Hilyard M. Brown, Herman A. Blumenthal, Elven Webb, Maurice Pelling, Boris Juraga, Walter M. Scott, Paul S. Fox, and Ray Moyer
- 1964 (bw): Vassilis Photopoulos / (c): Gene Allen, Cecil Beaton, and George James Hopkins
- 1965 (bw): Robert Clatworthy and Joseph Kish /(c): John Box, Terence Marsh, and Dario Simoni
- 1966 (bw): Richard Sylbert and George James Hopkins / (c): Jack Martin Smith, Dale Hennesy, Walter M. Scott, and Stuart A. Reiss
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| 1967–1980 |
- 1967: John Truscott, Edward Carrere, and John W. Brown
- 1968: John Box, Terence Marsh, Vernon Dixon, and Ken Muggleston
- 1969: John DeCuir, Jack Martin Smith, Herman A. Blumenthal, Walter M. Scott, George James Hopkins, and Raphaël Bretton
- 1970: Urie McCleary, Gil Parrondo, Antonio Mateos, and Pierre-Louis Thévenet
- 1971: John Box, Ernest Archer, Jack Maxsted, Gil Parrondo, and Vernon Dixon
- 1972: Rolf Zehetbauer, Jurgen Kiebach, and Herbert Strabel
- 1973: Henry Bumstead and James W. Payne
- 1974: Dean Tavoularis, Angelo P. Graham, and George R. Nelson
- 1975: Ken Adam, Roy Walker, and Vernon Dixon
- 1976: George C. Jenkins and George Gaines
- 1977: John Barry, Norman Reynolds, Leslie Dilley, and Roger Christian
- 1978: Paul Sylbert, Edwin O'Donovan, and George Gaines
- 1979: Philip Rosenberg, Tony Walton, Edward Stewart, and Gary J. Brink
- 1980: Pierre Guffroy and Jack Stephens
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| 1981–2000 | |
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| 2001–present | |
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