Boris Leven |
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| Born | (1908-08-13)13 August 1908
Moscow, Russian Empire |
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| Died | 11 October 1986(1986-10-11) (aged 78)
Los Angeles, California, U.S. |
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| Occupations | Art director, production designer |
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| Years active | 1938−1986 |
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Boris Leven (in early film credits – Boris Levin; August 13, 1908 – October 11, 1986) was a Russian-born Academy Award-winning art director and production designer whose Hollywood career spanned fifty-three years.
Born in Moscow in the family of Israel and Zinaida (Narkirier) Leven,[1] Leven emigrated to the United States in 1927 and became a naturalized citizen in 1938. After receiving a Bachelor of Arts in architecture from the University of Southern California, he attended the Beaux-Arts Institute of Design in New York City.[2]
Leven began his film career as a sketch artist at Paramount Pictures in 1933 and joined 20th Century Fox three years later. His first screen credit was as the art director for Alexander's Ragtime Band (1938), for which he received the first of nine Oscar nominations.
The designs Leven created ranged from realistic to highly stylised. For Giant (1956), he constructed the Victorian home that sits isolated in a wide expanse of open field, which became an iconic image for the film. His work for West Side Story (1961), which won him the Academy Award for Best Color Art Direction, included actual New York City locations combined with a tenement rooftop and fire escape, inspired by the more abstract stage production, that were built on a soundstage. For New York, New York (1977), he created a fantasized version of Manhattan set in the 1940s.
As an art director, Leven contributed to The Flying Deuces (1939), Hello Frisco, Hello (1943), Invaders from Mars (1953), The Silver Chalice (1954), and Jonathan Livingston Seagull (1973), among others. His credits as production designer include Donovan's Brain (1953), Anatomy of a Murder (1959), Two for the Seesaw (1962), The Sound of Music (1965), The Sand Pebbles (1966), Star! (1968), The Andromeda Strain (1971), Mandingo (1975), The Last Waltz (1978), The King of Comedy (1982), Fletch (1985) and The Color of Money (1986).[3]
Leven married Vera Glooshkoff on February 8, 1946. He died in Los Angeles, California. Vera Leven died at the age of 101 in June 2011. Prior to her death, she had donated several of Boris Leven's paintings and film drawings to the University of Southern California and New York City's Museum of Modern Art.
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Interior Decoration (1927–1939) | |
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Black & White / Color (1940–1946) |
- 1940 (bw): Cedric Gibbons and Paul Groesse / (c): Vincent Korda
- 1941 (bw): Richard Day, Nathan Juran, and Thomas Little / (c): Cedric Gibbons, Urie McCleary, and Edwin B. Willis
- 1942 (bw): Richard Day, Joseph C. Wright, and Thomas Little / (c): Richard Day, Joseph C. Wright, and Thomas Little
- 1943 (bw): James Basevi, William S. Darling, and Thomas Little / (c): Alexander Golitzen, John B. Goodman, Russell A. Gausman, and Ira S. Webb
- 1944 (bw): Cedric Gibbons, William Ferrari, Paul Huldschinsky, and Edwin B. Willis / (c): Wiard Ihnen and Thomas Little
- 1945 (bw): Wiard Ihnen and A. Roland Fields / (c): Hans Dreier, Ernst Fegté, and Samuel M. Comer
- 1946 (bw): William S. Darling, Lyle R. Wheeler, Thomas Little, and Frank E. Hughes / (c): Cedric Gibbons, Paul Groesse, and Edwin B. Willis
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Art Direction–Set Decoration Black & White / Color (1947–1956) |
- 1947 (bw): John Bryan and Wilfred Shingleton / (c): Alfred Junge
- 1948 (bw): Roger K. Furse and Carmen Dillon / (c): Hein Heckroth and Arthur Lawson
- 1949 (bw): Harry Horner, John Meehan, and Emile Kuri / (c): Cedric Gibbons, Paul Groesse, Edwin B. Willis, and Jack D. Moore
- 1950 (bw): Hans Dreier, John Meehan, Samuel M. Comer, and Ray Moyer / (c): Hans Dreier, Walter Tyler, Samuel M. Comer, and Ray Moyer
- 1951 (bw): Richard Day and George James Hopkins / (c): Cedric Gibbons, E. Preston Ames, Edwin B. Willis, and F. Keogh Gleason
- 1952 (bw): Cedric Gibbons, Edward Carfagno, Edwin B. Willis, and F. Keogh Gleason /(c): Paul Sheriff and Marcel Vertès
- 1953 (bw): Cedric Gibbons, Edward Carfagno, Edwin B. Willis, and Hugh Hunt / (c): Lyle R. Wheeler, George Davis, Walter M. Scott, and Paul S. Fox
- 1954 (bw): Richard Day / (c): John Meehan and Emile Kuri
- 1955 (bw): Hal Pereira, Tambi Larsen, Samuel M. Comer, and Arthur Krams / (c): William Flannery, Jo Mielziner, and Robert Priestley
- 1956 (bw): Cedric Gibbons, Malcolm F. Brown, Edwin B. Willis, and F. Keogh Gleason / (c): Lyle R. Wheeler, John DeCuir, Walter M. Scott, and Paul S. Fox
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| 1957–1958 | |
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Black & White / Color (1959–1966) |
- 1959 (bw): Lyle R. Wheeler, George Davis, Walter M. Scott, and Stuart A. Reiss / (c): William A. Horning (posthumous award), Edward Carfagno, and Hugh Hunt
- 1960 (bw): Alexandre Trauner and Edward G. Boyle / (c): Alexander Golitzen, Eric Orbom (posthumous award), Russell A. Gausman, and Julia Heron
- 1961 (bw): Harry Horner and Gene Callahan / (c): Boris Leven and Victor A. Gangelin
- 1962 (bw): Alexander Golitzen, Henry Bumstead, and Oliver Emert /(c): John Box, John Stoll, and Dario Simoni
- 1963 (bw): Gene Callahan / (c): John DeCuir, Jack Martin Smith, Hilyard M. Brown, Herman A. Blumenthal, Elven Webb, Maurice Pelling, Boris Juraga, Walter M. Scott, Paul S. Fox, and Ray Moyer
- 1964 (bw): Vassilis Photopoulos / (c): Gene Allen, Cecil Beaton, and George James Hopkins
- 1965 (bw): Robert Clatworthy and Joseph Kish /(c): John Box, Terence Marsh, and Dario Simoni
- 1966 (bw): Richard Sylbert and George James Hopkins / (c): Jack Martin Smith, Dale Hennesy, Walter M. Scott, and Stuart A. Reiss
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| 1967–1980 |
- 1967: John Truscott, Edward Carrere, and John W. Brown
- 1968: John Box, Terence Marsh, Vernon Dixon, and Ken Muggleston
- 1969: John DeCuir, Jack Martin Smith, Herman A. Blumenthal, Walter M. Scott, George James Hopkins, and Raphaël Bretton
- 1970: Urie McCleary, Gil Parrondo, Antonio Mateos, and Pierre-Louis Thévenet
- 1971: John Box, Ernest Archer, Jack Maxsted, Gil Parrondo, and Vernon Dixon
- 1972: Rolf Zehetbauer, Jurgen Kiebach, and Herbert Strabel
- 1973: Henry Bumstead and James W. Payne
- 1974: Dean Tavoularis, Angelo P. Graham, and George R. Nelson
- 1975: Ken Adam, Roy Walker, and Vernon Dixon
- 1976: George C. Jenkins and George Gaines
- 1977: John Barry, Norman Reynolds, Leslie Dilley, and Roger Christian
- 1978: Paul Sylbert, Edwin O'Donovan, and George Gaines
- 1979: Philip Rosenberg, Tony Walton, Edward Stewart, and Gary J. Brink
- 1980: Pierre Guffroy and Jack Stephens
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| 1981–2000 | |
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| 2001–present | |
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Authority control databases |
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| International | |
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| National | |
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| People | |
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| Other | |
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