Thomas J. Armat |
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| Born | (1866-10-25)October 25, 1866
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| Died | September 30, 1948(1948-09-30) (aged 81)
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| Known for | Vitascope |
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Thomas J. Armat (October 25, 1866 – September 30, 1948) was an American mechanic and inventor, a pioneer of cinema best known through the co-invention of the Edison Vita
Armat studied at the Mechanics Institute in Richmond, Virginia and then in 1894 at the Bliss Electrical School in Washington, D.C., where he met Charles Francis Jenkins. The two classmates teamed up to develop a movie projector using a new kind of intermittent motion mechanism, a "beater mechanism" similar to the one patented 1893 by Georges Demenÿ in France. It was one of the first projectors using what is known as the Latham loop (an extra loop of the film before the transport mechanism to reduce the tension on the film and avoid film breakage, developed independently at the same time by Woodville Latham and his sons). They made their first public projection using their invention, named Phantoscope after an earlier model designed by Jenkins alone, in September 1895 at the Cotton States and International Exposition in Atlanta.
Following this success, the two co-inventors broke up over patent issues. Jenkins tried to claim sole inventorship, but was turned down and sold out to Armat, who subsequently joined and sold the patent to Thomas Edison, who marketed the machine as the 'Vitascope'. The projector was used in a public screening in New York City beginning April 23, 1896 and lasting more than a week.
Working for Edison, Armat refined the projector in 1897 by replacing the beater mechanism with a more precise Geneva drive, duplicating an invention made a year earlier in Germany by Oskar Messter and Max Griewe and in England by Robert William Paul.
In 1947, Armat and William Nicholas Selig, Albert E. Smith and George Kirke Spoor were awarded a Special Academy Award as representatives of the movie pioneers for their contributions to the film business.
He died on September 30, 1948.[1]
In 2011, he was inducted, posthumously, into the National Inventors Hall of Fame.[2]
References
External links
Authority control databases |
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| National | |
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| Other | |
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| 1928–1975 |
- Warner Bros. / Charlie Chaplin (1928)
- Walt Disney (1932)
- Shirley Temple (1934)
- D. W. Griffith (1935)
- The March of Time / W. Howard Greene and Harold Rosson (1936)
- Edgar Bergen / W. Howard Greene / Museum of Modern Art Film Library / Mack Sennett (1937)
- J. Arthur Ball / Walt Disney / Deanna Durbin and Mickey Rooney / Gordon Jennings, Jan Domela, Devereaux Jennings, Irmin Roberts, Art Smith, Farciot Edouart, Loyal Griggs, Loren L. Ryder, Harry D. Mills, Louis Mesenkop, Walter Oberst / Oliver T. Marsh and Allen Davey / Harry Warner (1938)
- Douglas Fairbanks / Judy Garland / William Cameron Menzies / Motion Picture Relief Fund (Jean Hersholt, Ralph Morgan, Ralph Block, Conrad Nagel) / Technicolor SA (1939)
- Bob Hope / Nathan Levinson (1940)
- Walt Disney, William Garity, John N. A. Hawkins, and the RCA Manufacturing Company / Leopold Stokowski and his associates / Rey Scott / British Ministry of Information (1941)
- Charles Boyer / Noël Coward / Metro-Goldwyn-Mayer (1942)
- George Pal (1943)
- Bob Hope / Margaret O'Brien (1944)
- Republic Studio, Daniel J. Bloomberg, and the Republic Studio Sound Department / Walter Wanger / The House I Live In / Peggy Ann Garner (1945)
- Harold Russell / Laurence Olivier / Ernst Lubitsch / Claude Jarman Jr. (1946)
- James Baskett / Thomas Armat, William Nicholas Selig, Albert E. Smith, and George Kirke Spoor / Bill and Coo / Shoeshine (1947)
- Walter Wanger / Monsieur Vincent / Sid Grauman / Adolph Zukor (1948)
- Jean Hersholt / Fred Astaire / Cecil B. DeMille / The Bicycle Thief (1949)
- Louis B. Mayer / George Murphy / The Walls of Malapaga (1950)
- Gene Kelly / Rashomon (1951)
- Merian C. Cooper / Bob Hope / Harold Lloyd / George Mitchell / Joseph M. Schenck / Forbidden Games (1952)
- 20th Century-Fox Film Corporation / Bell & Howell Company / Joseph Breen / Pete Smith (1953)
- Bausch & Lomb Optical Company / Danny Kaye / Kemp Niver / Greta Garbo / Jon Whiteley / Vincent Winter / Gate of Hell (1954)
- Samurai I: Musashi Miyamoto (1955)
- Eddie Cantor (1956)
- Society of Motion Picture and Television Engineers / Gilbert M. "Broncho Billy" Anderson / Charles Brackett / B. B. Kahane (1957)
- Maurice Chevalier (1958)
- Buster Keaton / Lee de Forest (1959)
- Gary Cooper / Stan Laurel / Hayley Mills (1960)
- William L. Hendricks / Fred L. Metzler / Jerome Robbins (1961)
- William J. Tuttle (1964)
- Bob Hope (1965)
- Yakima Canutt / Y. Frank Freeman (1966)
- Arthur Freed (1967)
- John Chambers / Onna White (1968)
- Cary Grant (1969)
- Lillian Gish / Orson Welles (1970)
- Charlie Chaplin (1971)
- Charles S. Boren / Edward G. Robinson (1972)
- Henri Langlois / Groucho Marx (1973)
- Howard Hawks / Jean Renoir (1974)
- Mary Pickford (1975)
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| 1976–present | |
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