The Snare (album)
| The Snare | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 2002 | |||
| Label | Mute[1] | |||
| Producer | Peacock Johnson | |||
| Looper chronology | ||||
| ||||
The Snare is the third album by the Scottish band Looper, released in 2002.[2][3] Frontman Stuart David adopted the persona of Peacock Johnson.[4]
Production
The album shares themes and characters with David's novel The Peacock Manifesto.[5] "This Evil Love" is about romantic obsession.[6] The music shifted from the dance styles of the first two albums to include downbeat and trip hop elements.[7]
Critical reception
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 51/100[8] |
| Review scores | |
| Source | Rating |
| AllMusic | [9] |
| The Gazette | [10] |
| NME | 2/10[11] |
| Pitchfork | 6.1/10[12] |
| Playlouder | [13] |
| Q | [14] |
| Uncut | 6/10[15] |
| Winnipeg Sun | [7] |
Pitchfork wrote: "Easy to dismiss, smirk at, or even hate on the first listen, nine out of The Snare's ten tracks are grind-and-pause, semi-sultry pairings of exotic keyboard settings and mid-tech beats that exploit their refrains and come weirdly close to the patterns of 'risqué' after-dinner radio pop circa 1999-present."[12] Exclaim! determined that "as an isolated album it comes across as little more than sub-par art pop whose tunes are monotonous and whose lyrics are obtuse."[5] The Gazette considered it "a dark, brooding work which holds together well, but struggles to free itself from its own weight."[10]
The Sunday Herald deemed the album "10 menacing murder ballads, all characterised by ... dulcimer, baritone sax burps and tinkly music-box noises, backed by a Casio-keyboard approximation of the stuttering beats of modern R&B."[16] The Northern Echo called it "a black masterpiece."[17] The Philadelphia Daily News labeled it "a mysterious soundtrack of the mind with R&B, hip-hop and spaghetti western inflections."[18]
AllMusic wrote that "Looper drops their bright playfulness for a sophisticated, darker counterpart which uses jazz, R&B, and trip-hop as its foundation."[9]
Track listing
| No. | Title | Length |
|---|---|---|
| 1. | "The Snare" | |
| 2. | "Sugarcane" | |
| 3. | "New York Snow" | |
| 4. | "Peacock Johnson" | |
| 5. | "Driving Myself Crazy" | |
| 6. | "Lover's Leap" | |
| 7. | "Good Girls" | |
| 8. | "She's a Knife" | |
| 9. | "This Evil Love" | |
| 10. | "Fucking Around" |
References
- ^ "Caring for Looper". CMJ New Music Report. Vol. 71, no. 766. Jun 10, 2002. p. 42.
- ^ "Looper Biography, Songs, & Albums". AllMusic. Archived from the original on 2022-10-15. Retrieved 2022-10-15.
- ^ "Looper: The Snare". The A.V. Club. 25 June 2002. Archived from the original on 15 October 2022. Retrieved 15 October 2022.
- ^ Shepherd, Fiona (21 June 2002). "New Releases". The Scotsman. p. 14.
- ^ a b "Looper The Snare Exclaim!". Exclaim!. Archived from the original on 2022-10-15. Retrieved 2022-10-15.
- ^ Niesel, Jeff (June 13, 2002). "Looper 'The Snare'". Entertainment. The San Diego Union-Tribune. p. 22.
- ^ a b Sterdan, Darryl (July 12, 2002). "Looper The Snare". Entertainment. Winnipeg Sun. p. 24.
- ^ "Reviews for The Snare by Looper". Metacritic. Retrieved November 30, 2025.
- ^ a b "Looper The Snare". AllMusic. Archived from the original on 2022-10-15. Retrieved 2022-10-15.
- ^ a b Dunlevy, T'Cha (27 June 2002). "Looper The Snare". The Gazette. Montreal. p. D4.
- ^ Dempster, Sarah (June 1, 2002). "Looper : The Snare". NME. Retrieved November 30, 2025.
- ^ a b "Looper: The Snare". Pitchfork. Archived from the original on 2022-10-15. Retrieved 2022-10-15.
- ^ Oliver, Dave (24 June 2002). "The Snare - Looper". Playlouder. Retrieved 30 November 2025.
- ^ Low on booty-shaking but high on atmosphere. [June 2002, p.119]
- ^ This sees David finally jettisoning his twee heritage for a filmic kitsch. [Jun 2002, p.116]
- ^ Virtue, Graeme (26 May 2002). "Sax and violence". Sunday Herald. p. 14.
- ^ Lloyd, Chris (30 May 2002). "Simply the N-E best". The Northern Echo. p. 4.
- ^ Takiff, Jonathan (18 June 2002). "Fused-Out". Features. Philadelphia Daily News. p. 33.