The Buddhist Priestess
| The Buddhist Priestess | |
|---|---|
Newspaper advertisement | |
| Produced by | Thanhouser Company |
| Starring | Marguerite Snow William Garwood Marie Eline Florence La Badie |
| Distributed by | Motion Picture Distributors and Sales Company |
Release date |
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| Country | United States |
| Languages | Silent film English intertitles |
The Buddhist Priestess is a 1911 American silent short romantic drama film.[1] The film starred William Garwood, Marguerite Snow as The Buddhist Priestess, Marie Eline and Florence La Badie.
Plot
This plot synopsis was published in The Moving Picture World for September 9, 1911:[2]
A young missionary, filled with religious fervor, joyfully accepts the post to carry the gospel to a section of Japan, where white men are not known. His wife and little daughter go with him, and he starts for his station with native guides and bearers.
When they have penetrated some distance into the interior, the missionary and his wife are stricken with the plague. Their native escort, in fear, basely flee, leaving them helpless and alone in a strange deserted region.
The fleeing bearers pass a Buddhist temple, which they find for the moment unguarded. The scoundrels loot the temple, carrying off with them a jeweled idol.
The missionary and his wife die shortly, leaving the little child alone in a strange wilderness. She wanders off in the same direction as that taken by the bearers when they fled. She arrives at the temple, shortly after the loss of the idol has been discovered by a Buddhist priest, who has rushed out to summon the natives. Finding a house, and hoping it contains people who can aid her, the little child enters the temple. She finds it deserted, but worn out with her long walk, she sinks on the pillaged altar and falls asleep.
When the priest and the natives return, they find a tiny kimona-clad creature on the altar, with a strangely beautiful white face. They at once decide that this must be their God, come to life, and bow down to her and offer her homage.
For ten years the little foreigner hold undisputed sway as priestess of the temple. At first she was too young to realize her position, and gradually her old life fades away, and seems but a dream. She could scarcely remember any life save the secluded one she led in the temple.
A young American naval officer, whose ship is temporarily anchored in the waters of Japan, gets shore leave for a day's hunting. He penetrates into the interior, shooting many strange wild birds. He aims at a bird on the wing, wounding it slightly, and is surprised to see it fly into a secluded dell. On following the bird, he finds himself outside the walled garden of the temple, and learns he has shot one of its sacred pigeons, which he finds being carefully tended by the beautiful young priestess. With this introduction, a friendship, which soon ripens into love, develops between the officer and the priestess. The pigeon which he wounded is trained to carry their love messages from the temple to the ship. The officer finally prevails upon his loved one to leave her temple and sail with him back to the land of her people. They are attacked by an indignant band of natives, who refuse to allow their priestess to be taken from them. The fugitives take refuge from the angry mob in the temple, from which place of safety they despatch the carrier pigeon to the ship with a message imploring help. The blue jackets get the message, and reach the temple in time to rescue their officer and his future bride from the hands of the natives.
This plot synopsis comes from a Wikipedia editor:
The film's story revolves around a young missionary who accepts a foreign post to carry the gospel to Japan. The missionary's wife and young daughter travel to Japan with him where they soon become stricken with the plague. Their local guides, in fear of becoming ill themselves, abandon the missionary and his family in a remote area of countryside. The fleeing guides pass an unguarded Buddhist temple, from which they loot a jeweled idol.
The missionary and his wife soon die of their illness, leaving their young daughter alone in a strange wilderness. She wanders through the countryside on her own, arriving at the same temple shortly after the loss of the idol has been discovered by a Buddhist priest, who has rushed out to summon the locals. The small child enters the temple in search of someone to help her, but finds it deserted. Exhausted, she falls asleep on the pillaged altar. When the Buddhist priest and some locals return, they find the small girl laying on the altar.
They speculate she must be a goddess come to life, bowing down to her and offering her homage. For ten years the little foreigner holds undisputed sway as priestess of the temple. At first she was too young to realize her position, and gradually her old life fades away, and seems but a dream. She could scarcely remember any life save the secluded one she led in the temple when a young American naval officer, whose ship is temporarily anchored in nearby waters, comes upon the temple during a hunting expedition.
He learns he has shot one of the temple's sacred pigeons, which he finds being carefully tended by the beautiful young Buddhist priestess. With this introduction, a friendship, which soon blooms into love, develops between the officer and the priestess. The pigeon which he wounded is trained to carry their love messages from the temple to the ship.
The officer finally prevails upon his newfound love to leave her temple and sail with him back to the land of her people. They are attacked by an indignant band of locals, who refuse to allow their priestess to be taken from them. The priestess and naval officer, now fugitives, take refuge from the angry mob in the temple, from where they dispatch the carrier pigeon to the ship with a message requesting help. A group of navy men receive the message, and reach the temple in time to rescue their officer and his future bride, and they presumably live happily ever after.
References
- ^ Waller, Gregory A. (2016). "Japan on American Screens, 1908–1915". In Abel, Richard; Bertellini, Giorgio; King, Rob (eds.). Early Cinema and the “National". Indiana University Press.
- ^ "Independent Film Stories: Thanhouser: The Buddhist Priestess (Sept. 12)". The Moving Picture World. 9 (9): 730. September 9, 1911 – via The Internet Archive.
External links