Susan Jane Walp
Susan Jane Walp | |
|---|---|
| Born | September 7, 1948 Allentown, Pennsylvania, U.S. |
| Education | Mount Holyoke College New York Studio School |
| Known for | Still life painting |
| Spouse | Michael Moore (1941-2014) |
| Awards | Guggenheim Fellowship American Academy of Arts and Letters National Endowment for the Arts National Academy of Design |
| Website | Susan Jane Walp |
Susan Jane Walp (born September 7, 1948) is an American artist known for small, contemplative still life paintings.[1][2][3][4] Critics describe her work as meditations on time, memory and mortality,[5] celebrations of the complexities of seeing,[6] and homages to the dignity of natural and humble objects.[7][8][9] Stephen Westfall commented, "the care and precision of her painting decisions are felt as a kind of spiritual penetration into the everyday and into the realm of awareness in art wherein the living speak with the dead or the otherwise absent."[10]
Early life and education
Walp was born in Allentown, Pennsylvania, on September 7, 1948.[2][11] She studied art at Mount Holyoke College (BA, 1970) and a Boston University summer program, where she first worked with painter Lennart Anderson, a longtime mentor and friend, who taught her a painting approach grounded in tonal relationships.[2][5] She undertook further studies at the New York Studio School, with Nicholas Carone, the Skowhegan School, and the Brooklyn College MFA program.[5][2]
Career
Walp has exhibited in solo shows at galleries including Fischbach and Tibor de Nagy in New York City, Pamela Salisbury in Hudson, New York,[12][1][6] Hackett Freedman in San Francisco,[7] and Victoria Munroe in New York City and Boston.[13][14] Her work has also appeared at the American Academy, Denver Art Museum, Jaffe-Friede Gallery of Dartmouth College, Naples Museum of Art and National Academy Museum, among other venues.[5][7] She is based in Vermont.[2]
Work and reception
Critics link Walp's work to historical traditions such as American pragmatism and its emphasis on discipline, attention and craft, Roman frescoes and Northern European renaissance still lifes.[1][10][6] Modern touchstones include the compositional order of Cézanne and the early Cubism of Braque and Juan Gris, Giorgio Morandi, and 20th-century American painters such as Charles Webster Hawthorne and Edwin Dickinson, who combined penetrating observation with an atmospheric, sometimes abstract, sense of space.[9][8][1] New York Times critic Ken Johnson wrote, "Walp is a modernist … She knows how to make paint do double duty in the service of both a cannily abbreviated illusionism and a delicate abstraction of paper-thin planes … how to let painterly gesture embody a sensual urgency that the imagery demurely guards."[9]
Walp typically works at a limited size in muted colors and in a square format more associated with abstraction.[5][8][15] Her iconography is enigmatic, consisting of arrangements of objects without functional relationships to one another.[5][8][16] Her compositions frequently employ a complex geometry of secondary shapes and objects revolving around a central, often circular, element.[10][5][17] She sometimes compresses space in way that equalizes meticulously detailed objects and minimal, rougher backgrounds, creating a tension between intimate naturalism and artifice (e.g., Melon Sliced Open on a Black Plate with Knife, 2015).[6][1][7] Art in America critic Eric Sutphin remarked, "The modesty of Walp’s work is deceptive: her paintings demand the viewer’s complete attention in order to reveal their nuances … [they] reward those who take the time to look at them closely and deeply, their quiet stillness offering a moment of contemplative sanctuary."[1]
Recognition
Walp was awarded fellowships from the Guggenheim Foundation (2006), Bogliasco Center (2007), New York Creative Arts Public Service Program (1978) and National Endowment for the Arts (1977).[18][19][20][11] She received awards and grants from the American Academy of Arts and Letters (2009, 2021) and National Academy of Design (2006, 2009).[20] In 2017, she was the artist-in-residence at Dartmouth College.[21]
Walp's art is held in the public collections of the Hood Museum of Art, National Academy Museum and Sheldon Museum of Art, among others.[22][23][24]
References
- ^ a b c d e f Sutphin, Eric. "Susan Jane Walp," Art in America, May 1, 2019. Retrieved February 13, 2026.
- ^ a b c d e Samet, Jennifer. "Beer with a Painter: Susan Jane Walp," Hyperallergic, October 10, 2015. Retrieved February 13, 2026.
- ^ Marquardt-Cherry, Janet. Objects of Personal Significance, Kansas City, MO: Exhibits USA, Mid-American Arts Alliance, 1996.
- ^ Smith, Roberta. "Susan Jane Walp: Paintings on Paper," The New York Times, October 15, 2015. Retrieved February 13, 2026.
- ^ a b c d e f g Barrette, Bill. "Motifs, Masters, and Metaphysics: Susan Jane Walp's Still Life(s)," Susan Jane Walp: Still Life, Hanover, NH: Dartmouth College, 2017.
- ^ a b c d Whalley, Elizabeth. "Ying Li and Susan Jane Walp: Innovative traditionalists," Two Coats of Paint, July 16, 2024. Retrieved February 13, 2026.
- ^ a b c d Sheck, Laurie. The Paintings of Susan Jane Walp, San Francisco, CA: Hackett Freedman Gallery, 2000.
- ^ a b c d Smith, Nicola. "Still Lifes Hold Deep Reservoir of Emotion," Valley News, April 20, 2017. Retrieved February 13, 2026.
- ^ a b c Johnson, Ken. "Susan Jane Walp," The New York Times, January 24, 2003. Retrieved February 13, 2026.
- ^ a b c Westfall, Stephen. Susan Jane Walp: Come Close, New York, NY: Tibor de Nagy Gallery, 2007.
- ^ a b Butler, Sharon. "Preview: Susan Jane Walp at Tibor de Nagy," Two Coats of Paint, September 4, 2015. Retrieved February 13, 2026.
- ^ Goodrich, John. "Momentousness: The Still Life Paintings of Susan Jane Walp," Artcritical, October 5, 2015. Retrieved February 13, 2026.
- ^ Corbett, William. "Susan Walp Drawings: Victoria Munroe Gallery," ArtsMEDIA, November 2003.
- ^ McQuaid, Cate. "Contemplative still lifes," The Boston Globe, January 4, 2007.
- ^ Yau, John. "Still Life and the Poetry of Place: The Hidden Poetry of Everyday Life," Hyperallergic, September 28, 2022. Retrieved February 13, 2026.
- ^ Scott, Andrea. "(Nothing but) Flowers," The New Yorker, August 7, 2020. Retrieved February 13, 2026.
- ^ Paglia, Michael. "Object Lessons," Westword, September 10, 1998. Retrieved February 13, 2026.
- ^ John Simon Guggenheim Memorial Foundation. Susan Jane Walp, Fellows. Retrieved February 13, 2026.
- ^ Bogliasco Center. Directory of Fellows. Retrieved February 13, 2026.
- ^ a b National Academy Museum. Susan Jane Walp, People. Retrieved February 13, 2026.
- ^ Dartmouth College. 2017 Artist-in-Residence Lecture, 2017. Retrieved February 13, 2026.
- ^ Hood Museum of Art. Susan Jane Walp, Collections. Retrieved February 13, 2026.
- ^ National Academy Museum. Blueberries in a Green Candy Dish with Tea Strainer, Susan Jane Walp, Collections. Retrieved February 13, 2026.
- ^ Sheldon Museum of Art. Susan Jane Walp, Collections. Retrieved February 13, 2026.
External links
- Official website
- Susan Jane Walp & Eleanor Ray in Conversation, New York Studio School, 2021
- Susan Jane Walp interview, Savvy Painter, 2016
- Susan Jane Walp interview, Hyperallergic, 2015
- Susan Jane Walp, Tibor de Nagy