Sugar Colt

Sugar Colt
Directed byFranco Giraldi[1][2][3][4][5]
Screenplay by
Story by
  • Augusto Finocchi
  • Giuseppe Mangione
Produced by
Starring
CinematographyAlejandro Ulloa[7]
Edited byRuggero Mastroianni
Music byLuis Bacalov [8][9]
Release dates
  • 12 October 1966 (1966-10-12) (Italy)
  • 26 August 1968 (1968-08-26) (Spain)
Running time
106 min
CountriesItaly
Spain
LanguageEnglish

Sugar Colt is a 1966 Italian and Spanish spaghetti Western directed by Franco Giraldi and starring Jack Betts. It is the Giraldi's second film after Seven Guns for the MacGregors. The film represents the cinematographical debut for Jack Betts, here credited as Hunt Powers, and it is also Erno Crisa's last film.[10]

Plot

Rocco – also called the man with two faces – is visited by Pinkerton, who wants him to investigate the disappearance and possible kidnapping of some soldiers. Rocco declines, as he has a good life teaching women self-defence. When Pinkerton is assassinated, Rocco changes his mind and goes to Snake Valley disguised as a doctor. He uses a narcotic gas to loosen tongues and gets help from a sidekick and two women at the saloon. He is exposed and heavily beaten, but eventually frees the hostages while the big boss, who is responsible, gets killed.

Cast

Production

Thr film was shot in Tabernas, in the town of El Fraile, in Los Arcos and in Almería.[1]

Reception

Sugar Colt was generally well received by critics, and Tullio Kezich defined it as a "little masterpiece".[10] Over 40 years after it was made, Sugar Colt was screened at the 2007 Venice Film Festival in a Spaghetti Western retrospective. Director Franco Giraldi and star Jack Betts were in attendance.

In his investigation of narrative structures in Spaghetti Western films, Fridlund ranges Sugar Colt among Spaghetti Westerns heavily influenced by secret-agent films, because the hero is shown in company with beautiful women, works to uncover a mystery and - unlike the protagonists in A Fistful of Dollars and Django - does not have any complicating secondary motive.[12]

References

  1. ^ a b Núñez Marqués 2006, p. 152, "Fuentes nominales americanas".
  2. ^ Checa Godoy, Antonio (2005). "Almería y el Spaghetti-western". Las coproducciones hispano-italianas: una panorámica (pan, amor y cine) (in Spanish). Editorial Padilla Libros. p. 47. ISBN 9788484343363.
  3. ^ a b Weisser 2005, p. 391, "Introduction".
  4. ^ Fridlund 2006, p. 274, Films Quoted.
  5. ^ Caparrós Lera, José María (2005). "2002". La Pantalla Popular (in Spanish). Ediciones Akal. p. 197. ISBN 9788446024149.
  6. ^ Weisser 2005, p. 445, "Scriptwriters".
  7. ^ Weisser 2005, p. 461, "Cinematographers".
  8. ^ Núñez Marqués 2006, p. 441, "Los músicos (1962-2002)".
  9. ^ Weisser 2005, p. 434, "Music Composers".
  10. ^ a b Giusti, Marco (2007). Dizionario del western all'italiana (in Italian). Oscar Mondadori. p. 546. ISBN 978-88-04-57277-0.
  11. ^ Weisser 2005, p. 304, "Introduction".
  12. ^ Fridlund 2006, p. 258.

Bibliography