Romi Crawford
Romi Crawford | |
|---|---|
| Born | Romi N. Crawford |
| Citizenship | American |
| Education | PhD |
| Alma mater | University of Chicago |
| Occupations | Educator; writer; professor of visual and critical studies |
| Employer | School of the Art Institute of Chicago |
| Known for | New Art School Modality |
Romi Crawford, is an American educator, writer, curator and professor of Visual and Critical Studies at the School of the Art Institute of Chicago (SAIC).[1] Her scholarship explores knowledge production that emerges from art-making, collaborative artistic practices, and the intersections of race, culture, and visual representation.[2][3][4]
Early life and education
Crawford received both her MA and PhD degrees in English literature, theory, and criticism from the University of Chicago.[1][5]
Career
Scholarship
Crawford is a historian and professor of Visual and Critical Studies at SAIC, where her research focuses on how artistic methods function as forms of knowledge creation, often examining the relationship between art-making, race, ethnicity, American visual and pop culture.[3][1][5]
She is the initiator of two pedagogical platforms: the Black Arts Movement School Modality and the New Art School Modality, free and roving frameworks designed to foreground collaborative, intergenerational learning and alternative values in arts education.[3][1]
New Art School Modality (NASM)
Launched in 2023, the New Art School Modality proposes an alternative, non-degree model for art and art-historical study, grounded in practices of collaboration, experimentation, and improvisation associated with the Black Arts Movement.[6] Early programming received support from the Terra Foundation for American Art.[3]
Documenta 16
In August 2025, Artistic Director Naomi Beckwith announced an all-female artistic team for documenta 16, naming Crawford alongside Carla Acevedo‑Yates, Xiaoyu Weng, and Mayra A. Rodríguez Castro to collaborate on the exhibition, publications, and programming for the 2027 edition.[2]
Selected Projects
Publications
- Crawford, Romi, ed. (2021). Fleeting Monuments for the Wall of Respect. Chicago: Green Lantern Press; Minneapolis: University of Minnesota Press. ISBN 9780997416596
- The Wall of Respect: Public Art and Black Liberation in 1960s Chicago (co‑editor, with Abdul Alkalimat and Rebecca Zorach). Northwestern University Press, 2017. ISBN 9780810135932[7]
Exhibitions
- Citing Black Geographies, Richard Gray Gallery, Chicago and New York, 2022.
- So Be It! Asé!: Photographic Echoes of FESTAC ’77, Richard Gray Gallery, New York, 2023.
- Radical Relations!: Memory, Objects and the Generation of the Political, University of Chicago Center for Gender Studies.[8]
See also
References
- ^ a b c d "Romi N. Crawford – Faculty Profile". School of the Art Institute of Chicago. Retrieved February 21, 2026.
- ^ a b "documenta 16". documenta. Retrieved February 21, 2026.
- ^ a b c d "New Art School Modality: A Conversation with Romi Crawford". Terra Foundation for American Art. Retrieved February 21, 2026.
- ^ "Romi Crawford – Museum of Contemporary Art Chicago". Museum of Contemporary Art Chicago. Retrieved February 21, 2026.
- ^ a b "Leaning Into the City: The Photographs of Bob Crawford, 1966–1976". Graham Foundation. Retrieved February 21, 2026.
- ^ Mwaura, Denny (March 20, 2024). "The roving and fugitive New Art School Modality". e-flux. e-flux Publishing. Retrieved February 21, 2026.
- ^ "The Wall of Respect: Public Art and Black Liberation in 1960s Chicago". Publishers Weekly. Retrieved February 21, 2026.
- ^ "Romi Crawford". The Pew Center for Arts & Heritage. Retrieved February 21, 2026.