Portal:Rock music


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Rock music is a genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of styles from the mid-1960s, primarily in the United States and United Kingdom. It has its roots beginning as classic rock and roll, a style that drew from the African-American musical genres of blues and rhythm and blues, as well as from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other styles. Rock is typically centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers.

Usually, rock is song-based music with a 4
4
time signature
and using a verse–chorus form; however, the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the western world from the 1960s up to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a few distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, heavy metal, which emphasized an aggressive thick sound, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock. (Full article...)

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Sum 41 was a Canadian rock band formed in Ajax, Ontario, in 1996. The band's final lineup consisted of Deryck Whibley (lead vocals, rhythm guitar, keyboards), Dave Baksh (lead guitar, backing vocals), Jason McCaslin (bass, backing vocals), Tom Thacker (rhythm and lead guitars, keyboards, backing vocals), and Frank Zummo (drums).

In 1999, Sum 41 signed an international record deal with Island Records and released its first EP, Half Hour of Power, in 2000. The band released its debut album, All Killer No Filler, in 2001. The album achieved mainstream success with its first single, "Fat Lip", which reached number one on the Billboard Modern Rock Tracks chart and remains the band's most successful single to date. The album's next singles "In Too Deep" and "Motivation" also achieved commercial success. All Killer No Filler was certified platinum in both the United States and the United Kingdom and triple platinum in Canada. In 2002, the band released Does This Look Infected?, which was also a commercial and critical success. The singles "The Hell Song" and "Still Waiting" both charted highly on the modern rock charts.

The band released its next album, Chuck, in 2004, led by singles "We're All to Blame" and "Pieces". The album proved successful, peaking at number 10 on the Billboard 200. In 2007, the band released Underclass Hero, which was met with a mixed reception, but became the band's highest-charting album to date. It was also the band's last album on Aquarius Records. The band released the album Screaming Bloody Murder, on Island Records in 2011 to mixed reception. It also fell short of its predecessors' commercial success. The band's sixth studio album, 13 Voices was released in 2016, through Hopeless Records. IMPALA awarded the album with a double gold award for 150,000 sold copies across Europe. The band's seventh studio album Order in Decline was released on July 19, 2019. It was the band's last album on Hopeless Records. The band's eighth and final studio album, Heaven :x: Hell, was released on March 29, 2024, through Rise Records. The band disbanded in March 2025, following a final worldwide headlining tour and their induction into the Canadian Music Hall of Fame.

The band often performed more than 100 times each year and held long global tours, most of which lasted more than a year. The group was nominated for seven Juno Awards and won twice – Group of the Year in 2003, and Rock Album of the Year for Chuck in 2005. Sum 41 was nominated for a Grammy Award for Best Hard Rock/Metal Performance for the song "Blood in My Eyes". From their formation to 2016, Sum 41 were the 31st best-selling Canadian artist in Canada. (Full article...)

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Lydia Canaan (Arabic: ليديا كنعان; born December 2, 1967) is a Lebanese singer-songwriter.

Canaan gained local recognition in Lebanon performing heavy metal cover songs during the Lebanese Civil War despite the conflict. Canaan was one of the first Middle Eastern artists to sing solely in English, and one of the first to have music videos played on MTV Europe, MTV Southeast Asia, MTV Russia, and MTV Middle East. (Full article...)

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Before and After Science is the fifth solo studio album by English musician Brian Eno, originally released by Polydor Records in December 1977 in the United Kingdom and by Island in the United States soon after. It was produced by Eno and Rhett Davies.

Several musicians from the United Kingdom and Germany notably collaborated on the album, including Robert Wyatt, Fred Frith, Phil Collins, Phil Manzanera, Paul Rudolph, Andy Fraser, Dave Mattacks, Jaki Liebezeit, Dieter Moebius, and Hans-Joachim Roedelius. Over one hundred tracks were written, but only ten made the album's final cut. The musical styles range from energetic and jagged to languid and pastoral.

The album marks Eno's last foray into rock music as a solo artist in the 1970s; nearly all of his following work instead showcases avant-garde and ambient music, which was hinted at predominantly on the second side of Before and After Science. It was Eno's second to chart in the United States. The song "King's Lead Hat" (the title of which is an anagram for Talking Heads, for whom Eno would later produce three albums) was remixed and released as a single, although it did not chart in the United Kingdom. Critical response to the album has remained positive, with several critics calling it one of Eno's best works. (Full article...)

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"Tumbling Dice" is a song by the English rock band the Rolling Stones. It was released worldwide as the lead single from the band's 1972 double album Exile on Main St. on 14 April 1972 by Rolling Stones Records. A product of Mick Jagger and Keith Richards' songwriting partnership, the song contains a blues and boogie-woogie-influenced rhythm that scholars and musicians have noted for its unusual tempo and groove. The lyrics are about a gambler who cannot remain faithful to any woman.

"Tumbling Dice" spent eight weeks on the UK Singles Chart, peaking at number five. In the US, the single peaked at number seven on the Billboard Hot 100 chart. The song entered the top 10 in the Netherlands, Norway and Spain. "Tumbling Dice" received acclaim from contemporary music critics, who praised its musicianship and lyrical prowess. "Tumbling Dice" featured on many "best of" lists, including those by Vulture and Rolling Stone.

Jimmy Miller produced "Tumbling Dice". The Stones have performed the song during many of their concerts since its release in 1972. Several artists have covered "Tumbling Dice", including Linda Ronstadt, whose version – sung from a female perspective – appears on her 1977 album Simple Dreams. Ronstadt's version was a Top 40 hit the following year and is included on the soundtrack of the film FM (1978). (Full article...)

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Amparo Llanos of Spanish band Dover in 2014 during their Dover came to me tour.

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Progressive rock (shortened to prog rock or simply prog) is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s. Initially termed "progressive pop", the style emerged from psychedelic bands who abandoned standard pop or rock traditions in favour of instrumental and compositional techniques more commonly associated with jazz, folk, or classical music, while retaining the instrumentation typical of rock music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. (Full article...)

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Aftermath is the fourth studio album by the English rock band the Rolling Stones. The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. It was released in the United Kingdom on 15 April 1966 by Decca Records and in the United States in late June by London Records. It is the band's fourth British and sixth American studio album, and closely follows a series of international hit singles that helped bring the Stones newfound wealth and fame rivalling that of their contemporaries the Beatles.

Aftermath is considered by music scholars to be an artistic breakthrough for the Rolling Stones. It is their first album to consist entirely of original compositions, all of which were credited to Mick Jagger and Keith Richards. The band's original leader Brian Jones reemerged as a key contributor and experimented with instruments not usually associated with popular music, including the sitar, Appalachian dulcimer, Japanese koto and marimbas, as well as playing guitar and harmonica. Along with Jones' instrumental textures, the Stones incorporated a wider range of chords and stylistic elements beyond their Chicago blues and R&B influences, such as pop, folk, country, psychedelia, Baroque and Middle Eastern music. Influenced by intense love affairs, tensions within the group and a demanding touring itinerary, Jagger and Richards wrote the album around psychodramatic themes of love, sex, desire, power and dominance, hate, obsession, modern society and rock stardom. Women feature as prominent characters in their often dark, sarcastic, casually offensive lyrics. (Full article...)

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