Portal:Rhythm and blues
Introduction
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was starting to become more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.
The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music had contributed to the development of rock and roll, the term "R&B" became used in a wider context. It referred to music styles that developed from and incorporated electric blues, as well as gospel and soul. By the 1970s, the term "rhythm and blues" had changed once again and was used as a blanket term for soul and funk. (Full article...)
Selected article
House of Music is the fourth studio album by American R&B group Tony! Toni! Toné!, released November 19, 1996, on Mercury Records. Recording sessions for the album took place at various recording studios during 1995 to 1996, with production handled primarily by the group members. Following the success of their 1993 album Sons of Soul and their hiatus as a group, Tony! Toni! Toné! members Raphael Saadiq, D'wayne Wiggins, and Timothy Christian Riley worked on songs for the album independently before putting together their finished recordings. House of Music expands on their previous work's classicist R&B influences with live instrumentation and balladry. Music writers have noted the album for its incorporation of traditional and contemporary musical styles, themes of love and romance, and witty, sensitive lyrics.
The album reached number 32 on the US Billboard 200 chart, on which it spent 31 weeks. It was certified platinum by the Recording Industry Association of America (RIAA) within its first year of release, having shipped one million copies in the United States. Two singles were released in promotion of the album, "Let's Get Down" and "Thinking of You". Upon its release, House of Music received general acclaim from music critics, who praised its musical style, classicist influences, and the group's musicianship and songwriting. An expected international tour in support of the album did not materialize and it proved to be the group's last album together, as they subsequently disbanded due to creative differences and pursued separate music careers.
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- WikiProject R&B and Soul Music
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- WikiProject Music
- WikiProject Music/Music genres task force
Selected biography -
Ashford & Simpson were an American husband-and-wife songwriting, production and recording duo composed of Nickolas Ashford (May 4, 1941 – August 22, 2011) and Valerie Simpson (born August 26, 1946).
Ashford was born in Fairfield, South Carolina, and Simpson in the Bronx, New York City. Ashford's family relocated to Ypsilanti, Michigan, where he became a member of Christ Temple Baptist Church. While there, he sang with a group called the Hammond Singers (named after the founding minister, James Hammond). Later, Ashford attended and graduated from Willow Run High School in Ypsilanti, Michigan, before pursuing his professional career, when he would ultimately meet his wife, Valerie Simpson. They met at Harlem's White Rock Baptist Church in 1964. After having recorded unsuccessfully as a duo, they joined an aspiring solo artist and former member of The Ikettes, Joshie Jo Armstead, at the Scepter/Wand label, where their compositions were recorded by Ronnie Milsap ("Never Had It So Good") and Maxine Brown ("One Step at a Time"), as well as The Shirelles, The Guess Who, and Chuck Jackson. Another of the trio's songs, "Let's Go Get Stoned", gave Ray Charles a number one U.S. R&B hit in 1966. That same year, Ashford and Simpson joined Motown, where their best-known songs included "Ain't No Mountain High Enough", "You're All I Need to Get By", "Ain't Nothing Like the Real Thing", and "Reach Out and Touch (Somebody's Hand)." Ashford and Simpson wrote many other hit songs, including Chaka Khan's "I'm Every Woman" (1978) and "Is It Still Good to Ya?", originally recorded by the duo in 1978 and covered by Teddy Pendergrass in 1980. (Full article...)
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Sources
- ^ "Ruth Brown, the Queen of R&B, was born 93 years ago today". Frank Beacham's Journal. Archived from the original on January 24, 2021. Retrieved 2021-01-18.
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