Nocturne in C-sharp minor, Op. posth. (Chopin)

The Lento con gran espressione (or Nocturne No. 20 in C minor, Op. posthumous, or Reminiscence), P 1, No. 16, KK IVa/16, WN 37, is a solo piano piece composed by Frédéric Chopin in 1830. It was published posthumously in 1875.

Background

Frédéric Chopin composed the piece shortly after arriving in Vienna in 1830. He sent it his older sister Ludwika Chopin with the dedication, "For my sister Ludwika to practise before she takes on my second Concerto". Ludwika's catalogued it as a "Lento, of a nocturne character".[1][2]

The November Uprising in Poland occurred shortly after Chopin arrived in Vienna. The piece is sometimes seen as a reflection of the composer's homesickness and isolation after learning of the revolt. The title Reminiscence or Reminiscence Nocturne is associated with this interpretation of the music.[3] The humor of the work leads some to believe it was written before Chopin learned of the violence back home.[1]

During his life, Chopin published 18 nocturnes under eight opus numbers.[4] Chopin biographer Marceli Antoni Szulc came across the manuscript in 1875 and persuaded Jarosław Leitgeber to publish it. The score was titled Adagio. Ludwika's taxonomy eventually became the standard, and the piece is classed as a nocturne.[3] Its most common title derives from the tempo marking Lento con gran espressione.[5]

Mily Balakirev premiered the piece on October 17, 1894, 45 years after Chopin's death. The performance celebrated the unveiling of a monument to the composer in his birthplace, Żelazowa Wola.[3]

The manuscript is housed at the Valldemossa Charterhouse in Spain. It is part of the Anne-Marie Boutroux de Ferrà Collection.[6][7]

Musical structure

The score is highly autobiographical with several quotations from Chopin's other compositions.[3] After a quiet introduction, the main theme starts at bar 5. The left hand slurs arpeggios throughout the section.

As Chopin hinted in his dedication, the middle section rehearses fragments from his Piano Concerto No. 2, which was composed a year earlier. He begins in bars 21 and 22 by quoting the main theme of the concerto's third movement. The melody is originally in 3
4
, and Chopin notated it that way in his manuscript, while maintaining the common time in the left hand's accompaniment. He consolidated the time signatures in an 1836 revision.[3]

In bars 23–4, Chopin articulates the second subject of the piano concerto's first movement. In bar 30, he recalls the music of his song "Życzenie" (A Maiden's wish, 1829). He returns to the piano concerto's third movement and quotes its "village dance" scherzando, a clear evocation of his home country.[3] The composer's nostalgia dissipates through a broken chord which evokes the conclusion of the piano concerto's second movement.[9] The Nocturne's original theme returns before the piece concludes with a C major chord.

During the Holocaust

On September 23, 1939, Polish-Jewish pianist Władysław Szpilman's performance of Chopin's Nocturne in C-sharp minor, which was being broadcast live on Polskie Radio, was interrupted by the German invasion of Warsaw. Later, during the final months of World War II, German army officer Wilm Hosenfeld discovered Szpilman hiding in an abandoned house in the Warsaw Ghetto, which had been destroyed during the Warsaw Ghetto Uprising. When Szpilman described himself as a pianist, Hosenfeld asked him to play something on the house's grand piano. Szpilman chose to play the Nocturne in C-sharp minor, after which Hosenfeld protected Szpilman and gave him food to survive.[10]

At the Kraków-Płaszów concentration camp, Nazi commandant Amon Goeth ordered the imprisoned Jewish pianist Natalia Karp to perform for his birthday. She chose Chopin's Nocturne in C-sharp minor because it was melancholy enough to describe her feelings. She played so well that Goeth spared her life, and that of her sister.[11][12]

In 2002, director Roman Polanski dramatized the radio station's final live broadcast in The Pianist, which was based on Szpilman's memoirs; however, he changed the piece that was played to Chopin's Ballade No. 1 in G minor, Op. 23.

Recordings on period instruments

Pianist Piano Label Recording year
Tomasz Ritter Paul McNulty after Conrad Graf (c. 1819) Fryderyk Chopin Institute 2020-2021
Pierre Goy Christopher Clark after Conrad Graf (1826) Lyrinx 2005
Peter Katin Collard & Collard square piano (c. 1836) Diversions 1996
Susanne von Laun Broadwood & Sons (1841) Musicaphon 2007
Luc Devos Broadwood (c. 1845) Ricercar 1994
Arthur Schoonderwoerd Pleyel (1836) Alpha 2008
Michèle Boegner Pleyel (1836) Calliope 1998
Alain Planès Pleyel (1836) Harmonia Mundi 2019
Bart van Oort Pleyel (1842) Brilliant Classics 1998
Knut Jacques Pleyel pianino (1834) / Pleyel piano 1843 Paraty
Yuan Sheng Pleyel (1845) Piano Classics 2010
Alex Szilasi Pleyel pianino (1847) Fryderyk Chopin Institute 2012
Ronald Brautigam Erard (1842) VPRO 1991
Janusz Olejniczak Erard (1849) Fryderyk Chopin Institute 2007
Dang Thai Son Erard (1849) Fryderyk Chopin Institute 2009
Daniel Grimwood Erard (1851) SFZ Music 2010
Alexei Orlovetsky Erard (mid. 19th century) IML 2005
Kikuko Ogura Erard (1874) Hamamatsu Museum of Musical Instruments 2010
Vincenzo Maltempo Steinway (1888) Piano Classics 2023

References

  1. ^ a b Tomaszewski, Mieczysław. "Lento con gran espressione in C sharp minor, (WN 37)", Narodowy Instytut Fryderyka Chopina. Accessed January 9, 2025.
  2. ^ Murdoch, William. Chopin: His Life. The Macmillan Company, 1935. 177.
  3. ^ a b c d e f Walker, Alan. Fryderyk Chopin: A Life and Times. Farrar, Straus and Giroux, 2018. 71f.
  4. ^ Jonson, George Charles Ashton. A Handbook to Chopin's Works. Doubleday, 1905. 23.
  5. ^ "Lento con gran espressione in C-sharp minor, WN 37". Narodowy Instytut Fryderyka Chopina. Retrieved January 9, 2025.
  6. ^ Smialek, William, and Trochimczyk, Maja. Frédéric Chopin: A Research and Information Guide. ebook. Taylor & Francis, 2015. 295.
  7. ^ Analecta Cartusiana. Austria: Institut für Englische Sprache und Literatur, Universität Salzburg, 1970. 39.
  8. ^ a b Chopin, Fryderyk. "Lento con gran espressione" in Chopin: Różne utwory. Edited by Jan Ekier. Kraków: Polskie Wydawnictwo Muzyczne, 1990. 23–8.
  9. ^ Fitch, Graham. "Nocturne in C-sharp Minor", Informance.biz. Accessed January 9, 2025.
  10. ^ "Music tells Holocaust survivor's harrowing tale". The Press. Retrieved 2019-01-31.
  11. ^ Charters, David. "Natalia Karp". Liverpool Daily Post. Archived from the original on 2011-09-29. Retrieved 2008-04-02.
  12. ^ Karpf, Anne. The War After. United Kingdom, Faber & Faber, 2013. 81.