Mozelle Alderson

Mozelle Alderson
Also known asPossibly Kansas City Kitty, Hannah May, Thelma Holmes, Mae Belle Lee, Jane Lucas
Born
Mozelle Fagans

(1904-11-20)November 20, 1904
Bedford, Ohio, United States
DiedFebruary 15, 1994(1994-02-15) (aged 89)
Chicago, Illinois, United States
GenresClassic female blues
OccupationSinger
InstrumentVocals
Years active1920s–1930s
LabelsBlack Patti, Brunswick, ARC, Vocalion, Paramount

Mozelle Alderson (November 20, 1904 – February 15, 1994)[1] was an American classic female blues singer. She recorded a small number of tracks for Black Patti Records in 1927 and for Brunswick Records In 1930. Her most regular pianist was Judson Brown. She was a one-time vocalist for the Famous Hokum Boys in 1930[2] and toured and recorded as a backing vocalist for other blues artists. Alderson used a number of aliases, possibly including Kansas City Kitty, Hannah May, Thelma Holmes, Mae Belle Lee, and Jane Lucas.[3][4][5]

Little is known of her life outside of her recording career.

Career

She was born Mozelle Fagans in Bedford, Ohio, in 1904. She married and moved to Chicago, Illinois.[1] a period of time when many classic female blues singers relocated to northern cities. Her early musical background aligned with the emerging classic female blues tradition that developed in urban centers during this time.

Alderson recorded three singles released by Black Patti Records in 1927, on which she was accompanied on the six tracks by the pianist Blind James Beck: "Mobile Central Blues", "Tall Man Blues", "Mozelle Blues", "State Street Special", "Sobbin' the Blues" and "Room Rent Blues".[6] She recorded "Tight Whoopee" backed with "Tight in Chicago", released by Brunswick Records in 1930.[7][8] The pianist Judson Brown accompanied her on the Brunswick recordings. She also recorded for the ARC and Vocalion labels.[1]

During the rise of hokum music in Chicago between 1928 and 1932, Thomas A. Dorsey and his collaborators recorded a large number of commercially successful hokum songs. Their hit “It’s Tight Like That” helped define the style, combining piano and guitar with playful, suggestive lyrics. Dorsey recorded extensively during this period with musicians such as Big Bill Broonzy, Whittaker, and Mozelle Alderson, contributing to more than sixty hokum recordings produced under the supervision of Vocalion producer Lester Melrose.[9]

Several discographers have suggested that Alderson may have recorded under additional names, including Kansas City Kitty, Hannah May, Mae Belle Lee, and Thelma Holmes. These attributions remain debated among blues historians, reflecting the common practice of assigning multiple pseudonyms to artists during the era for contractual or marketing reasons.[10]

Harum Scarums, a trio comprising Big Bill Broonzy, Georgia Tom and Alderson, recorded the two-part "Alabama Scratch" in Grafton, Wisconsin, for Paramount Records (Paramount 13054) in January 1931, and it was reported that it sounded "as if it was a real party."[4]

The self-titled compilation album of the Famous Hokum Boys, issued in 2015 by JSP Records, includes the following in its credits: Mozelle Alderson, Scrapper Blackwell, Big Bill Broonzy, Georgia Tom, Frank Brasswell, Kansas City Kitty, Hannah May, and Arthur Petties.[11]

Alderson was widowed by 1941. She married John Slocum in Chicago in 1943.[1]

She died in Chicago in 1994, aged 89.[1]

Her recordings are available on several compilation albums.[12]

See also

References

  1. ^ a b c d e Eagle, Bob; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 254. ISBN 978-0313344237.
  2. ^ O'Neal, Jim; Amy van Singel, eds. (2002). The Voice of the Blues: Classic Interviews from Living Blues Magazine. Routledge. p. 18. ISBN 0-415-93654-3. Retrieved November 15, 2016.
  3. ^ Layne, Joslyn. "Mozelle Alderson: Biography & History". AllMusic. Retrieved November 16, 2016.
  4. ^ a b "Booze, Blues Go Hand in Hand for Broonzy, Dorsey and Alderson". Goldminemag.com. June 20, 2013. Retrieved November 16, 2016.
  5. ^ O'Neal; van Singel, eds. (September 5, 2013). The Voice of the Blues. Routledge. p. 26. ISBN 9781136707483. Retrieved November 15, 2016.
  6. ^ "Mozelle Alderson Discography of CDs". discogs. Retrieved November 16, 2016.
  7. ^ "Mozelle Alderson 78 RPM – Discography – USA – 78 RPM World". 45worlds.com. Retrieved November 16, 2016.
  8. ^ Laird, Ross (1996). Moanin' Low: A Discography of Female Popular Vocal Recordings, 1920–1933. Greenwood Press. p. 3. ISBN 9780313292415. Retrieved November 16, 2016. mozelle alderson.
  9. ^ Marovich, Robert M. (2015). A City Called Heaven: Chicago and the Birth of Gospel Music. University of Illinois Press. doi:10.5406/j.ctt13x1kq3.9.pdf?refreqid=fastly-default:461d0f2bf8388af91be5b18a46177d88&ab_segments=0/spellcheck_basic_search/test&initiator=&accepttc=1. ISBN 978-0-252-03910-2.
  10. ^ Komara, Edward; Dixon, Robert M. W.; Godrich, John; Rye, Howard (December 1998). "Blues and Gospel Records, 1890-1943". Notes. 55 (2): 361. doi:10.2307/900176. ISSN 0027-4380.
  11. ^ "The Famous Hokum Boys: Credits". AllMusic. Retrieved November 16, 2016.
  12. ^ "Mozelle Alderson Discography of CDs". Cduniverse.com. Retrieved November 16, 2016.
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