Masterpieces by Ellington
| Masterpieces by Ellington | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | September 1951[1] | |||
| Recorded | December 18, 1950 Bonus tracks: August 7 & December 11, 1951 | |||
| Genre | ||||
| Length | 47:05 | |||
| Label | Columbia Masterworks (1951) ML 4418 Columbia (1956) CL 825 | |||
| Duke Ellington chronology | ||||
| ||||
| Alternative 1956 cover | ||||
Masterpieces by Ellington is the first LP album by American pianist, composer, and bandleader Duke Ellington, recorded for the Columbia Records in 1950.[2] It was one of the earliest 12-inch LPs to take advantage of the extended time available and consisted of four tracks, three of them "concert arrangements" of Ellington standards and one, "The Tattooed Bride", a recent tone poem.
Content
The album features full-length versions of Ellington's classics "Mood Indigo" (1930), "Sophisticated Lady" (1933), and "Solitude" (1934). No longer constrained by the limitations of 78s, these arrangements range from 8 to 15 minutes in length. The first two feature vocals by Eve Duke, recording under the name Yvonne Lanauze,[3] and the third includes a climactic solo by trombonist Lawrence Brown. The newest composition, "The Tattooed Bride" (1948), gives extended space to clarinetist Jimmy Hamilton in almost concerto-like fashion. The lengthy arrangements were created by both Ellington and his longtime collaborator Billy Strayhorn.[4]
Reception
Jazz critic Gary Giddins called the album "One of the first genuinely innovative 12-inch LPs".[5] He noted that "Ellington eschewed the suite format in favor of continuous long-form works that reflected a liberation made possible by the LP. The vividly languorous 15-minute 'Mood Indigo' (on Masterpieces) exemplifies Ellington's newfound freedom."[6]
Ellington biographer John Edward Hasse noted that "Mood Indigo" in this updated version "goes through several meters (one section is in waltz time), three keys, and effective contrasts in sonorities, densities, and timbres. What variety Ellington and Strayhorn could manage from the sixteen-piece orchestra and from a familiar short song!" He also noted that "'The Tattooed Bride' is considered by some critics as one of Ellington's most effective extended works."[7]
The AllMusic review by Bruce Eder stated: "For the first time in his recording career, Ellington was able to forego the three-minutes-and-change restrictions in running time of the 78-rpm disc — he and the band rose to the occasion."[8]
Release history
The original 1951 release under the Columbia Masterworks banner featured a red cover which was replaced by the more modern blue cover in 1956.[9] The album was re-released on CD in 2004 with additional bonus tracks recorded at later sessions.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | [8] |
| The Penguin Guide to Jazz Recordings | [11] |
| The Rolling Stone Jazz Record Guide | [10] |
Track listing
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Mood Indigo" | 15:27 | |
| 2. | "Sophisticated Lady" |
| 11:29 |
| 3. | "The Tattooed Bride" |
| 11:43 |
| 4. | "Solitude" |
| 8:26 |
| Total length: | 47:05 | ||
Bonus tracks on CD reissue
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 5. | "Vagabonds" |
| 3:11 |
| 6. | "Smada" |
| 2:48 |
| 7. | "Rock Skippin' at the Blue Note" |
| 2:27 |
| Total length: | 8:26 55:31 | ||
Personnel
- Duke Ellington, Billy Strayhorn – piano
- Cat Anderson (tracks 1–4, 6 & 7), Shorty Baker, Fats Ford (tracks 1–4), Ray Nance, Nelson Williams – trumpet
- Lawrence Brown (tracks 1–4), Tyree Glenn (tracks 1–4), Quentin Jackson, Britt Woodman (tracks 5–7) – trombone
- Mercer Ellington (tracks 1–4) - French horn
- Jimmy Hamilton – clarinet, tenor saxophone
- Johnny Hodges (tracks 1–4), Willie Smith (tracks 5–7) – alto saxophone
- Russell Procope – alto saxophone, clarinet
- Paul Gonsalves – tenor saxophone
- Harry Carney – baritone saxophone, bass clarinet (track 2)
- Wendell Marshall – double bass
- Sonny Greer (tracks 1–4), Louis Bellson (tracks 5–7) – drums
- Eve Duke (credited as Yvonne Lanauze) – vocals[12]
References
- ^ "The Billboard – October 6, 1951". Billboard. No. September 1951. October 6, 1951. p. 40. Retrieved January 23, 2026 – via Google Books.
- ^ "A Duke Ellington Panorama". www.depanorama.net. Archived from the original on September 9, 2017. Retrieved May 24, 2010.
- ^ Baker, Rafferty (June 7, 2016). "Jazz musician, 91, who played with Duke Ellington, now entertains residents at seniors' home". CBC News. Retrieved April 10, 2018.
- ^ Hajdu, David (1996). Lush Life: A Biography of Billy Strayhorn. New York City: North Point Press. p. 140. ISBN 978-0374194383. Retrieved January 23, 2026 – via Internet Archive.
- ^ Giddins, Gary (August 1, 2006). Natural Selection: Gary Giddins on Comedy, Film, Music, and Books. Oxford University Press. p. 229. ISBN 978-0195179514.
- ^ Giddins, Gary (March 1, 2004). "Cadenza: Ellington's Legacy". JazzTimes. Retrieved January 23, 2026.
- ^ Hasse, John Edward (1993). Beyond Category: The Life and Genius of Duke Ellington. New York City: Da Capo Press. p. 302. ISBN 978-0-671-70387-5. Retrieved January 23, 2026 – via Internet Archive.
- ^ a b Eder, Bruce. "Masterpieces by Ellington – Duke Ellington & His Orchestra / Duke Ellington". AllMusic. Retrieved May 24, 2010.
- ^ Neely, Tim (2004). Goldmine Jazz Album Price Guide (2nd ed.). Krause Publications. p. 165. ISBN 978-0873498043. Retrieved January 23, 2026 – via Internet Archive.
- ^ H.B. (1999). Swenson, John (ed.). The Rolling Stone Jazz & Blues Album Guide (2nd ed.). Random House. p. 69. ISBN 0-679-76873-4. Retrieved January 23, 2026 – via Internet Archive.
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 433. ISBN 978-0-141-03401-0. Retrieved January 23, 2026 – via Internet Archive.
- ^ Liner notes – Columbia Masterworks Records, LP, ML-4418, 1951. (See: Discogs)