Marlin Skiles
Marlin Skiles | |
|---|---|
| Born | December 17, 1906 Harrisburg, Pennsylvania, United States |
| Died | May 1, 1981 (aged 74) San Diego, California United States |
| Other names | Marlin Henderson Skiles |
| Occupation | Composer |
| Years active | 1934–1971 (film) |
Marlin Skiles (December 17, 1906–May 1, 1981) was an American composer of film and television scores.[1]
Early years
Pianist, arranger and composer Skiles was born in Harrisburg, Pennsylvania, in December 1906. He was the son of Mr. and Mrs. H. J. Stiles.[2] He studied music at his local conservatory, later perfecting his training under Ernst Toch in Los Angeles. He graduated from Harrisburg Technical High School in 1925.[2]
Career
Skiles began his career when he was 17 years old.[2] By the 1920s, he was employed as a pianist, arranger and orchestrator with big name dance bands like those of Paul Whiteman and Irving Aaronson and His Commanders. In Hollywood from 1932, he signed with Republic Pictures in 1943[3] was under contract there and at Columbia Pictures (1944–1948), often writing incidental music for second features. He occasionally composed original soundtracks for better productions, like A Thousand and One Nights (1945) or Dead Reckoning (1946). Skiles served as musical director for Columbia's mega-hit Gilda (1946), starring Rita Hayworth in her most famous role. He became a member of ASCAP that same year. Skiles worked as a free-lancer from the 1950s and retired in 1971.
Skiles and his orchestra provided music for the CBS radio program Crime Correspondent,[4] and he was music director for the television series Death Valley Days.[5]
Personal life and death
Skiles married singer and actress Olive Jones, whose stage name was Olive Cromwell, on July 11, 1936, in Riverside, California.[6] He died of cancer complications on May 1, 1981, in Rancho Bernardo, San Diego, California, aged 75.[5]
Partial filmography
- Tahiti Honey (1943)
- Call of the South Seas (1944)
- The Lady and the Monster (1944)
- A Thousand and One Nights (1945)
- She Wouldn't Say Yes (1945)
- Rough, Tough and Ready (1945)
- Over 21 (1945)
- Gilda (1946)
- The Walls Came Tumbling Down (1946)
- Gallant Journey (1946)
- Dead Reckoning (1947)
- The Doolins of Oklahoma (1949) (uncredited)
- The Boy from Indiana (1950)
- Flat Top (1952)
- Fort Osage (1952)
- The Rose Bowl Story (1952)
- Aladdin and His Lamp (1952)
- Rodeo (1952)
- Wild Stallion (1952)
- Wagons West (1952)
- The Maze (1953)
- Pride of the Blue Grass (1954)
- Sudden Danger (1955)
- Canyon River (1956)
- The Young Guns (1956)
- Calling Homicide (1956)
- My Gun Is Quick (1957)
- The Disembodied (1957)
- Man from God's Country (1958)
- In the Money (1958)
- The Beast of Budapest (1958)
- Cole Younger, Gunfighter (1958)
- Quantrill's Raiders (1958)
- Fort Massacre (1958)
- Queen of Outer Space (1958)
- Joey Ride (1958)
- King of the Wild Stallions (1959)
- The Hypnotic Eye (1960)
- The Deadly Companions (1961)
- Gunfight at Comanche Creek (1963)
- The Crawling Hand (1963) (uncredited)
- The Strangler (1964)
- The Shepherd of the Hills (1964)
- Indian Paint (1965)
- Space Probe Taurus (1965 - as Marlin Skyles)
- The Violent Ones (1967)
- Dayton's Devils (1968)
- The Resurrection of Zachary Wheeler (1971)
References
- ^ Gevinson p.350
- ^ a b c Shue, Clyde (June 8, 1952). "Skiles Climbed Scales To Musical Fame". Sunday Patriot-News. Pennsylvania, Harrisburg. p. 21. Retrieved March 3, 2026 – via Newspapers.com.
- ^ "Marlin Skiles". The Seattle Star. September 13, 1943. p. 12. Retrieved March 3, 2026 – via Newspapers.com.
- ^ "Radio and Television: C. B. S. Video Network to Offer Tuesdays 'Actor's Studio,' Dropped by A. B. C.". The New York Times. October 29, 1949. p. 28. Retrieved October 13, 2025.
- ^ a b "Marlin Skiles". Times-Advocate. California, Escondido. May 4, 1981. p. B 8. Retrieved March 3, 2026 – via Newspapers.com.
- ^ "Marlin Skiles Wedded July 11". The Evening News. Pennsylvania, Harrisburg. July 21, 1936. p. 2. Retrieved March 3, 2026 – via Newspapers.com.
Bibliography
- Alan Gevinson. Within Our Gates: Ethnicity in American Feature Films, 1911-1960. University of California Press, 1997.