Mark McCullough (lighting designer)

Mark McCullough (September 13, 1963 – December 31, 2025) was an American lighting designer. A native of North Carolina, McCullough was educated at the North Carolina School of the Arts and the Yale School of Drama. After graduating from Yale in 1991 he had an active career as a lighting designer for opera and theatre productions both in the United States and in Europe. He designed lighting for both Broadway and the West End productions, and had lengthy associations as a designer with the Glimmerglass Festival, the New York City Opera, and the San Francisco Opera. Other organizations he worked for included the Metropolitan Opera, the Lyric Opera of Chicago, the Houston Grand Opera, the Royal Opera, London, and Royal Shakespeare Company among many others.

Education

The son of Richard and Sally McCullough,[1] Mark Lamons McCullough was born in Mecklenburg, North Carolina on September 13, 1963.[2] He grew up in Charlotte, North Carolina.[1] His father worked for the Marsh & McLennan; ultimately retiring as a vice president with that company.[3] Mark was educated at Charlotte Country Day School in his youth.[1] In 1983 he graduated from the North Carolina School of the Arts (NCSA) with a high school diploma.[4] He continued to study in the university division of the NCSA where he earned a BFA in design and production[5] in 1986.[6] His senior year he designed the lighting for NCSA's Spring 1986 productions of the ballet Carmina Burana and a dance work titled Rossi Sonatas.[7]

McCullough interned as an assistant to the lighting designer at BalletMet in Columbus, Ohio following his graduation from the NCSA.[5] He then pursued graduate studies in stage design at the Yale School of Drama where he earned a Master of Fine Arts in 1991.[8] While a student at Yale he designed lighting for Yale Repertory Theatre productions of George Bernard Shaw's Pygmalion (1990),[9] Václav Havel's Largo desolato (1990),[10] and Elvira DiPaolo's Bricklayers (1991).[11]

Early career and Glimmerglass Festival

In 1992 McCullough was the lighting designer for drag artist John Epperson's off-Broadway show Lypsinka! A Day in the Life at the New York Theatre Workshop.[12] That same year he designed lights for Austin Hartel and Lisa Dalton's Dalton-Hartel Dance for performances at the Mulberry Street Theater in New York City;[13] and was the light designer for INTAR Theatre's production of Ramón del Valle-Inclán's Words Divine: A Miracle Play (English translation of Divinas palabras).[14] He designed further productions for Dalton-Hartel Dance which were staged at the Hudson Guild Theater in 1993.[15] He returned to INTAR in 1996 to design lights for the company's world premiere staging of Kenneth Lonergan's This Is Our Youth;[16] a work he designed for again at the McGinn Cazale Theater in 1998.[17]

In 1995 McCullough designed the lights for Gilbert and Sullivan's Yeomen of the Guard at the Glimmerglass Festival (GF); a production which was also staged at the Welsh National Opera.[18] He went on to design lighting for more than 30 productions for the GF;[19] including the 2011 world premiere of Jeanine Tesori and Tony Kushner's opera A Blizzard on Marblehead Neck.[20] Other designs he did for the GF included productions of Gaetano Donizetti's Don Pasquale (1996),[21] Francesco Cavalli's La Calisto (1996),[22] Virgil Thomson's The Mother of Us All (1998),[23] John Philip Sousa's The Glass Blowers (2000),[24] George Frideric Handel's Agrippina (2001),[25] Claudio Monteverdi's L'Orfeo (2001),[26] Richard Wagner's Das Liebesverbot (2008),[27] Wagner's The Flying Dutchman (2013),[28] Rodgers and Hammerstein's Carousel (2014),[29] and Leonard Bernstein's Candide (2015).[30]

In 1996 McCullough designed for the New Zealand Festival of the Arts's production of Leoš Janáček's Káťa Kabanová,[31] and Hartford Stage's production of Under Milk Wood.[32] In 1997 he was the light designer for the original Off-Broadway production of Paula Vogel's How I Learned to Drive which was staged at the Vineyard Theatre,[33] and designed for the Chichester Festival Theatre's production of Ivan Turgenev's Fortune's Fool.[34]

McCullough designed lights for a production of Albert Innaurato's Gemini at the Second Stage Theater in 1999.[35] That same year he was a designer for the New York Shakespeare Festival's production of Tartuffe at the Delacorte Theater in Central Park.[36] In 2000 he returned to the Vineyard Theatre to design for Craig Lucas's Stranger which starred Kyra Sedgwick, David Strathairn, and David Harbour.[37] That same year he designed lights for a production of Wendy Wasserstein’s Old Money at the Mitzi E. Newhouse Theater in Lincoln Center.[38]

In 1998 McCullough made his first designs for the Metropolitan Opera for their new production of Mozart's The Marriage of Figaro which starred Bryn Terfel in the title role, Cecilia Bartoli as Susanna, Renée Fleming as the Countess, and Dwayne Croft as the Count.[39][40] The production was filmed for television broadcast on PBS's The Metropolitan Opera Presents, and aired on national television in 1999.[41]

Broadway and other plays and musicals

On Broadway McCullough first designed lights for the 2000 revival of Andrew Lloyd Webber's Jesus Christ Superstar at the Longacre Theatre;[42][43] a production which had earlier toured the United Kingdom in 1999.[44] The show subsequently toured the United States after running on Broadway.[45] His subsequent Broadway credits included lighting designs for After Miss Julie (2009, Roundabout Theatre Company),[46] The American Plan (2009, Samuel J. Friedman Theatre),[47][48] Outside Mullingar (2014, Samuel J. Friedman Theatre),[49] and How I Learned to Drive (2022, Samuel J. Friedman Theatre).[50]

McCullough's Off-Broadway design credits include Lonergan's Lobby Hero (2001, Playwrights Horizons)[51] Wendy MacLeod's Juvenilia (2003, Playwrights Horizons),[52] Paula Vogel's The Long Christmas Ride Home (2003, Vineyard Theatre),[53][54] Vogel's The Baltimore Waltz (2004, Signature Theatre Company),[55] Jean-Claude Carrière's The Controversy of Valladolid (2005, The Public Theater),[56] Kevin Elyot's Mouth to Mouth (2008, Acorn Theatre),[57] and Julia Cho's The Language Archive (2010, Laura Pels Theatre).[58] His work in regional theater included La Jolla Playhouse (2000, The School for Scandal);[59] Hyperion Theater (2003, Disney's Aladdin: A Musical Spectacular);[60][61] Shakespeare Theatre Company (2007, Edward II;[62] 2008, Antony and Cleopatra;[63] 2009, Design for Living);[64] and the Long Wharf (2007, Man of La Mancha).[65] He also designed for the Mark Taper Forum; Steppenwolf Theatre Company and Center Stage (Atlanta), among others.[66]

In London's West End, was the lighting designer for Andrew Lloyd Webber's Whistle Down the Wind which ran at the Aldwych Theatre in 1998.[67][68] He also designed for the Royal Shakespeare Company's production of Friedrich Schiller's Don Carlos which was staged in 1999-2000 at The Other Place.[69][70] He also designed lighting for the RSC's production of John Webster's The White Devil.[5]

Further work in opera

In 1999 McCullough designed the lights for the first production of Richard Strauss's Intermezzo to be produced in New York for the New York City Opera (NYCO).[71] Other NYCO productions he designed for included Falstaff (1996),[72] L'italiana in Algeri (1997, co-production with Glimmerglass),[73] Don Pasquale (1997),[74] Il viaggio a Reims (1999)[75] The Mother of Us All (2000)[76][77] Il ritorno d'Ulisse in patria (2001, co-production with Glimmerglass)[78] Agrippina (2002),[79] The Glass Blowers (2002, co-production with Glimmerglass)[80] and Alcina (2003).[81]

In 2001 McCullough designed the lights for the world premiere of Tigran Chukhajian's Arshak II at the San Francisco Opera (SFO).[82] He later was the light designer for the SFO's staging of Richard Wagner's Ring Cycle directed by Francesca Zambello;[5] including performances of Das Rheingold (2008, 2011, and 2018), Die Walküre (2010, 2011, and 2018), Siegfried (2011 and 2018), and Götterdämmerung (2011 and 2018).[83] Other SFO production he designed for included Luisa Miller (2000),[84] Roméo et Juliette (2001),[85] Rigoletto (2001,[86] revived in 2006 and 2025),[83] The Mother of Us All (2003),[83] Porgy and Bess (2009),[83] La traviata (2009),[83] Show Boat (2014),[83] and Aida (2016).[83] Other world premieres he designed for at the SFO included Christopher Theofanidis's Heart of a Soldier (2011) and Marco Tutino Two Women (2015).[83]

McCullough designed the lights for the world premiere of Tobias Picker's opera Thérèse Raquin which was first given at the Dallas Opera in 2001 and was subsequently performed at the Opéra de Montréal and the San Diego Opera.[87] He had earlier designed the lights for San Diego's 1999 production of Mozart's Così fan tutte[88] He later returned to Dallas to design the lights for Roberto Devereux (2009).[89]

In 2006 McCullough was awarded the Joseph Jefferson Award for Lighting Design for Man of La Mancha at the Court Theatre in Chicago, Illinois.[90] He designed the lights for the Lyric Opera of Chicago's 2012 production of Show Boat;[91] a production also performed by the Houston Grand Opera (2013),[92] and the Washington National Opera (2013).[93] In 2007 he designed the lights for the world premiere of David Carlson's Anna Karenina at the Florida Grand Opera.[94]

McCullough designed lighting for the 2018 Seattle Opera production of Porgy and Bess which starred Angel Blue.[95]

Opera

Personal life and death

In 1992 McCullough married Theresa Marie Carney, a dancer with the Paul Taylor Dance Company.[106]

McCullough lived in Charlottesville, Virginia since 2005. He died of glioblastoma on December 31, 2025.[5]

References

Citations

  1. ^ a b c "Obituaries: Mark McCullough". The Daily Progress. January 8, 2026. p. A7.
  2. ^ Mark Lamona McCullough in the Web: Mecklenburg County, North Carolina, U.S., Birth Index, 1865-2012
  3. ^ "Richard Matkin McCullough". The Charlotte Observer. June 13, 2006. p. B6.
  4. ^ "7 Get School of Arts Degrees". The Charlotte News. July 19, 1983. p. 15D.
  5. ^ a b c d e f Rodgers, Griffin (8 January 2026). "In Memoriam: Mark McCullough, Lighting Designer, 62". PLSN. Retrieved 26 February 2026.
  6. ^ a b "UNCSA Chancellor to Conduct Opera at Kennedy Center". Winston-Salem Journal. March 14, 2010. p. D5.
  7. ^ "NCSA Dancers to Do Carmina Burana, Rossini Sonatas". Winston-Salem Journal. March 2, 1986. p. 42.
  8. ^ "In Remembrance: Mark McCullough MFA '91". Yale Alumni Magazine. December 31, 2025.
  9. ^ Johnson, Malcolm L. (April 22, 1990). "Pygmalion Arena Stage End Rep Season". Hartford Courant. p. G5.
  10. ^ "Stage Review: Largo Desolato". Hartford Courant. October 29, 1990. p. B3.
  11. ^ Johnson, Malcolm L. (January 6, 1991). "Eisenberg Combines Mime, Acrobatics, and Clowning". Hartford Courant. p. G4.
  12. ^ Stuart, Jan (April 1, 1992). "Review: Vamping Up a 50s Siren". Newsday. p. 51, part II.
  13. ^ Dunning, Jennifer (February 8, 1992). "Review/Dance; A Dalton-Hartel Debut, With Goethe as Inspiration". The New York Times. p. 16.
  14. ^ Bruckner, D.j.r. (November 25, 1992). "Theater in Review". The New York Times. p. C19.
  15. ^ Dunning, Jennifer (December 13, 1993). "Dance in Review". The New York Times. p. C12.
  16. ^ Marks, Peter (October 31, 1996). "Heading for Hopeless, but Not Gone Yet". The New York Times.
  17. ^ Marks, Peter (November 4, 1998). "THEATER REVIEW; Folkways of Spoiled, Dissolute West Side Teen-Agers". The New York Times. p. E1.
  18. ^ "Operas". July 7, 1995. p. 19.
  19. ^ "In Memoriam: Mark McCullough - Lighting&Sound America Online News". Lighting&Sound America Online News. 9 January 2026. Retrieved 26 February 2026.
  20. ^ Eisen 2017, pp. 189–190.
  21. ^ McGinn, Larry (July 9, 1996). "Glimmerglass Pasquale Not To Be Missed". Syracuse Herald-Journal. p. 53.
  22. ^ McGinn, Larry (August 2, 1996). "''La Calisto'' Best of Dazzling Season". Syracuse Herald-Journal. p. 29.,
  23. ^ McGinn, Larry (July 25, 1998). "Masterful Mother". The Post-Standard. p. E5.
  24. ^ Landesman, Stephen (July 19, 2000). "A Witty Relic Lacks Musical Staying Power". The Ithaca Journal. p. 12.
  25. ^ Freedman, Geraldine (August 1, 2001). "Handel Gets Effective Updating". The Post-Star. p. 23.
  26. ^ Fischer 2018, p. 147.
  27. ^ "Glimmerglass Adds Artist In Residence". Daily Sentinel. December 22, 2010. p. 13.
  28. ^ Loomis, Linda (July 28, 2013). "Expect the Unexpected, Best From Glimmerglass The Flying Dutchman". The Post-Standard. p. T12.
  29. ^ Loomis, Linda (July 17, 2014). "Glimmerglass Carousel Celebrates Redemption". The Post-Standard. p. C3.
  30. ^ Loomis, Linda (August 11, 2015). "Zambello Spins Magic at Glimmerglass With Bernstein's Candide". The Post-Standard. p. D2.
  31. ^ Wingfield 1999, p. 169.
  32. ^ "Stage". Hartford Courant. November 3, 1996. p. 92.
  33. ^ Brantley, Ben (March 17, 1997). "A Pedophile Even Mother Could Love". The New York Times.
  34. ^ Gardner, Lyn (September 2, 1996). "Reviews Theatre: Fortune's Fool, Chichester Festival Theatre". The Guardian. p. 34.
  35. ^ Marks, Peter (June 17, 1999). "THEATER REVIEW; Neighbors Even Fences Wouldn't Muffle". The New York Times.
  36. ^ Brantley, Ben (August 23, 1999). "THEATER REVIEW; A Hypocrite In a Sylvan Setting, Still Slimy". The New York Times. p. E1.
  37. ^ Brantley, Ben (October 18, 2000). "THEATER REVIEW; The Sounds of Silence: Hearken or Perish". The New York Times. p. E1.
  38. ^ Simonson, Robert (December 7, 2000). "Wasserstein's New Old Money Coined at LCT, Dec. 7". Playbill.
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  40. ^ Holland, Bernard (October 31, 1998). "OPERA REVIEW; Jewels of Talent Stud the Met's New 'Figaro'". The New York Times. p. B9.
  41. ^ Sehulster, Jerome R. (December 26, 1999). "A Lusty Figaro For Television, With A Nod to History". Stamford Advocate. p. D2.
  42. ^ Isherwood, Charles (24 April 2000). "Jesus Christ Superstar". Variety.
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  44. ^ "Jesus Christ and the Third Reich". The Chester Chronicle. November 12, 1999. p. 96.
  45. ^ Dietz 2017, pp. 19–21.
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  52. ^ Weber, Bruce (December 10, 2003). "THEATER REVIEW; That Old College Try At Being Sophisticated". The New York Times.
  53. ^ Isherwood, Charles (November 4, 2003). "The Long Christmas Ride Home". Variety.
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  55. ^ Isherwood, Charles (December 6, 2004). "Death-Defying Fantasy Fueled by Love". The New York Times.
  56. ^ Isherwood, Charles (February 28, 2005). "Putting a Religious Foot in the Mouth of Conquest". The New York Times.
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  58. ^ Isherwood, Charles (October 17, 2010). "A Linguist at a Loss for Words Regarding Love". The New York Times.
  59. ^ Braunagel, Don (July 25, 2000). "Sheridan Goes Astray at the Parallels". Los Angeles Times. p. F10.
  60. ^ Heffley, Lynne (January 20, 2003). "It's a Whole New World for Aladdin". Los Angeles Times. p. E16.
  61. ^ Pogrebin, Robin (January 6, 2003). "Disney Enlists Theater Innovators for Theme Park Shows". The New York Times.
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  63. ^ Lawrence, Maggie (June 6, 2008). "Love's Gamers Play On". Culpeper Star-Exponent. p. 5, section In & Around.
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  67. ^ Owen 2003, p. 301.
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  72. ^ Campbell, Mary (September 14, 1996). "Comedy Opera Opens". Hickory Daily Record. Associated Press. p. 15.
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  78. ^ Wynne, Peter (October 30, 2001). "Cultivating a Taste for Monteverdi". The Star-Ledger. p. 38.
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  82. ^ Ulrich, Allan (September 10, 2001). "In Verdi's Shadow. Derivative Arshak is Mainly of Academic Interest". San Francisco Chronicle. p. G1, G3.
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  85. ^ Hurwitt, Robert (August 14, 2001). "Raw Energy Swamps Romeo". San Francisco Chronicle. pp. E1, E2.
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  88. ^ Cariaga, Daniel (March 9, 1999). "Mozart's Cosi fan Tutte Makes a Delightful Trip to the Beach". Los Angeles Times. p. F5.
  89. ^ Cantrell, Scott (January 28, 2009). "Roberto Devereux Has Plenty of Room to Improve". Fort Worth Star-Telegram. p. 12B.
  90. ^ "IMDB".
  91. ^ Rhein, John von (February 14, 2012). "Mighty Mississippi". Chicago Tribune. pp. 1, 6, section 4.
  92. ^ Evans, Everett (January 23, 2013). "Hop Aboard HGO's Domestic Show Boat". The Houston Chronicle. p. E2, E3.
  93. ^ Smith, Tim (May 12, 2013). "Washington National Opera Has Revelatory Show Boat". The Baltimore Sun. p. E7.
  94. ^ Schweitzer, Vivien (April 30, 2007). "The Passions of Anna: A Period Opera Takes on a Love Triangle". The New York Times.
  95. ^ Bloch, Alice (Aug 17, 2018). "Seattle Opera's Porgy and Bess Fills the Stage With Life". Vol. 46, no. 33. pp. 1, 6, section Arts and Entertainment.
  96. ^ Silverman, Mike (April 2, 2006). "The Ringmaster: Washington Opera's Das Rheingold Moves Wagnerian Myth to American History". Potomac News. pp. E1, E7.
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  98. ^ "Mark McCullough Artist Bio at Los Angeles Opera".
  99. ^ Dyer, Richard (March 16, 2001). "Don Carlos Opens Lyric's 25th Season". The Boston Globe. p. D7.
  100. ^ Christiansen, Rupert (May 14, 2001). "A Lush Reading of Tchaikovsky". The Daily Telegraph. p. 1.
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  103. ^ Shulson, John (October 6, 2007). "Virginia Opera Starts Season On a High Note". The Virginia Gazette. p. 29A.
  104. ^ Anderson, Lucia (February 28, 2008). "Opera: Some Remarkable Singers in Eugene Onegin". The Free Lance-Star. p. 22, section Weekender.
  105. ^ Anderson, Lucia (March 4, 2010). "A Smashing Love Affair in Song". The Free Lance-Star. p. 15, section Weekender.
  106. ^ "Weddings: Theresa and Mark McCullough". The Charlotte Observer. November 29, 1992. p. 9E.

Bibliography

  • Bay-Cheng, Sarah (2004). Mama Dada: Gertrude Stein's Avant-Garde Theatre. Taylor & Francis. ISBN 9781135924164.
  • Dietz, Dan (2017). The Complete Book of 2000s Broadway Musicals. Rowman & Littlefield Publishers. ISBN 9781442278011.
  • Eisen, Kurt (2017). The Theatre of Eugene O’Neill: American Modernism on the World Stage. Bloomsbury Publishing. ISBN 9781474238434.
  • Fischer, Heinz-Dietrich, ed. (2018). Distinguished Criticism on Theater, Film and Television: Pulitzer Prize Winning Samples. ISBN 9783643910448.
  • Jones, Lee Brewer (2023). The Theatre of Paula Vogel: Practice, Pedagogy, and Influences. Bloomsbury Publishing. ISBN 9781350251724.
  • Owen, Bobbi (2003). "Mark McCullough". The Broadway Design Roster: Designers and Their Credits. Greenwood Press. ISBN 9780313319150.
  • Viagas, Robert, ed. (2009). The Playbill Broadway Yearbook: June 2008 - May 2009. Bloomsbury Academic. ISBN 9781423482932.
  • Wingfield, Paul, ed. (1999). Janáček Studies. Cambridge University Press. ISBN 9780521573573.
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