Judge (sumo)

In sumo wrestling, a shimpan or shinpan (審判) is a ringside judge seated around the dohyō (sumo ring) to observe the match, identifying which wrestler wins the matchup and supervising the work of the in ring referee (called gyōji), to ensure that no refereeing errors are made.

Historically, the role of judge developed in the 18th century to facilitate arbitral decisions, which were subject to external pressures, before establishing itself as the ultimate decision-making authority at the end of the 19th century.In professional sumo, all judges are former wrestlers who have acquired the status of toshiyori (sumo elder) and have been assigned to the corresponding department within the Japan Sumo Association. During sumo tournaments (called honbasho), five judges sit around the dohyō, with additional elders serving as video review officials in another room. The judges command an aura of respect, reinforced by their formal, sober attire and the weight of their decisions.

The judges' main role is to ensure that all preparations for the matches are completed properly and on time, before assisting both the referee in the ring in deciding the outcome of a match and the referees on announcing duty in recording the winning techniques. If the outcome of a match is disputed, it is up to the judges to call a mono-ii to discuss the referee's decision, assisted by video refereeing.

However, the role of referees is not limited to matches. Behind the scenes, they are also responsible for establishing the banzuke, the ranking system that serves as the cornerstone of professional sumo. When wrestlers are eligible for promotion to the two highest ranks in the hierarchy (yokozuna and ōzeki), it is also their responsibility to ask the Sumo Association's board of directors to promote those selected, with their opinion serving as the basis for the promotion process and their recommendations never being ignored. Judges also serve as guardians of the etiquette associated with professional sumo, and it is their responsibility to enforce the rules and reprimand wrestlers and masters who violate them. Finally, they are responsible for organizing the matches, a role they perform every day of a tournament.

History

The four original naka aratame were initially positioned on the ring, at its ends under the poles.
Kensayaku debating a mono-ii call in 1919.

The elders' judging function developed around 1750, with the emergence of interests linked to the prestige of local lords. The fairness of the decisions handed down by the gyōji was increasingly called into question, because lords sponsored wrestlers.[1] This led to the questioning of the gyōji's absolute authority over match results and the introduction of a system of judges, all elders, then called naka aratame (中改; ascertainers in the middle) but more commonly known as shihon bashira (四本柱; lit. 'four pillars'). This name was derived from their positions during matches, right at the base of the poles holding up the roof of the ring.[1][2][3] Initially, the judges sat at the foot of the ring, but from around 1780 onwards, they took their places directly on the fighting platform.[1] Three judges were led by a head judge, who had total authority and whose personal decision could not be questioned.[4]

With Takasago Uragorō's return to the Tokyo Sumo Association, a series of reforms were implemented to satisfy his demands.[5] One of these was to transfer the final say in the judgment of a disputed match from the referees (gyōji) to the judges.[5] The judges took on the official name of kensayaku (検査役; inspectors).[6] The office of judge evolved in the mid-20th century, with the removal of the powers of the head judge in 1958, considered too powerful and autocratic.[4][7] With a final reform taking place in 1968, judges finally adopted the name shimpan (or shimpan-iin).[4][8][9] The system for electing judges that had been in place until then was also abolished in favor of the system that remains in place today.[6] The idea of bringing in judges who were not toshiyori but former wrestlers who showed little promise, retired and trained by their peers to become judges following the gyōji system, was considered but not implemented.[6][10]

Status and seating

The formal shimpan costume.
Layout and placement of sumo participants around a dohyō.

All judges are former wrestlers who have attained the status of toshiyori and have been assigned to the dedicated department of the Japan Sumo Association.[11][12] Like all departments, the Judging Department is headed by a director assisted by a deputy.[12] Starting with the 2020 March tournament, two toshiyori, with the status of director and deputy, were also attached to the department to focus solely on match scheduling and banzuke decisions. They will generally not serve as judge during matches, but will act as substitutes if the heads of the departments are unable to perform their role.[12][13] The appointed toshiyori serve in the department for a one-year term, and their supervisors serve for a two-year term.[11]

The number of judges is set between twenty and twenty-three, and places are distributed equitably among the various ichimon, or clans, within the association.[11][14][15] Around the ring, the five judges all belong to a different clan.[16][17] Initially, this difference between clans explained why judges interacted little with each other after matches, simply going home immediately after finishing their duties. Today, however, it is accepted that judges from the same team chat amiably and go out together to forge bonds.[16][17]

During an official match, the judges are distributed around the four sides of the ring (east, south, west and north).[18] The chief judge, called the shimpan-buchō,[19] is always seated on the north side (on the place of honor known as the shomen).[20][4] The other judges share the other three corners of the ring, with two judges sitting together on the southern edge bordering the hanamichi (referred to as mukō jōmen), flanking the gyōji who awaits his turn to officiate at the foot of the dohyō.[4][21]

Within the JSA, judges are held in high regard, being nicknammed the hanagata (花形; star) of sumo, because their role allows them to be the only toshiyori visible to the general public, appearing on television and at ringside during tournaments.[12] Their status considered prestigious within the various departments of the Sumo Association and the judges themselves regarded as fair and honorable men.[22][23] All shimpan are recognizable by their sober and formal attire, called montsuki.[4][7] The JSA itself requires its judges to wear these formal outfits, strictly prohibiting activities around the ring in simple yukata or business suits in order to protect the traditional appearance of sumo tournaments.[24] Judges wear black haori (loose jackets) and gray silk shirts, setting them apart from the flamboyant robes of the gyōji, and often causing them to be nicknamed "the Men in black".[7][11][25] A notable exception to this rule was when the association celebrated its centenary, with judges dressed in court ritual attire inspired by the Heian period.[24]

Far from complying with ethical rules designed to avoid conflict of interest, it is not frowned upon for a judge to be involved in the matches of his own students. On the contrary, sports commentators are relatively fond of such situations, trying to guess whether the teacher was frustrated or happy with the outcome of a match involving a student.[22]

Duties

Mono-ii

See also: Gyōji § Refereeing a match

In the event of a disputed result, it is the shimpan who can challenge the gyōji's decision by calling in a mono-ii (物言い; lit. 'talking it over').[26] When doing so, they correspond through an earpiece to a video review room,[27][28] managed by either a single judge (for lower division matches) or two (for matches involving sekitori).[29] Judges have been using replays since the 1969 May tournament.[30] That standard was set after yokozuna Taihō was wrongly declared the loser in his match against Toda during the 1969 March tournament, ending his streak of consecutive victories. Denounced by the press with photographic evidence, the controversy, dubbed the "miscall of the century", prompted the Japan Sumo Association to make video refereeing standard practice.[7][22][31][32] The introduction of video refereeing was a pioneering move in Japanese sports, contrasting with the very traditional nature and setting of sumo.[11][33]

Judges can confirm the decision of the gyōji by announcing gunbai-dōri (軍配通り; lit. 'way of the gunbai'), overturn it by announcing gunbai-sashichigae (軍配差し違え; lit. 'gunbai mistake'), or order a torinaoshi (取り直し; rematch).[28][34] The decision supported by the judges is subject to a majority vote by the members present before being announced to the public.[20] The chief judge then acts as spokesman.[20] Unlike gyōji, whose careers are affected if they make too many bad judgments, judges are not affected if they make a bad decision after a controversial match.[35] In the rare case of a judging error, a rematch (torinaoshi) can be called. In a top division match between Kotozakura and Atamifuji at the 2025 January tournament, judge Asahiyama (former sekiwake Kotonishiki) raised his hand to stop the contest believing that Kotozakura's foot stepped out of the dohyō. Video replays confirmed that the foot did not touch the ground outside of the straw bales at the time the hand was raised, and the judges decided to order a rematch.[36]

The accuracy of the judges' decision after a mono-ii on the spot is never questioned. Its legitimacy is partly based on the fact that, with all sides of the ring covered by the judges, they have a better view of what is happening in the ring than the referee, who will always have a blind spot.[26]

In amateur sumo, the use of video refereeing has also become more widespread since the 2020s, following a series of controversial decisions at the highest level of national competition, with the use of tablet computers.[37][38]

Around and during the matches

The judges are divided into seven teams that take turns throughout the day, with two teams dedicated solely to the makuuchi division, switching places when half of the matches of that division have been completed.[11][16] Within the teams, sekitori matches will always be presided over by a chief judge who will be either the department director or his deputy.[16][29]

One judge serves as timekeeper, sitting under the black tassel.[39] He is responsible for keeping the pre-bout rituals on schedule, discreetly announcing jikan (時間; time is up) to the gyōji.[14][40] The referee gives instructions to speed up or slow down the wrestlers' preparations in the ring via the yobidashi.[30]

At the moment the fight is about to begin, it is up to the judges to stop the fight if they find that the wrestlers were incorrectly positioned.[41] More specifically, the judges are responsible for ensuring that the wrestlers' fists touch the ground at the start of the match.[42] During the match, the judges pay particular attention to the feet (which must always remain within the circle of the ring) and the hands (which must not grab the opponent's hair).[29] If a match exceeds four minutes, it is up to the timekeeper to signal the referee to call a water break.[29]

In the event of a kimarite (winning move) that is difficult to decide for the gyōji tasked to announcing it to the public, it is up to the judges in the video review room to provide counselling. Top division Ura was known to be a nightmare wrestler for the judges responsible for defining kimarite, as he was known for winning with rare techniques.[43]

Like wrestlers, who must not show emotion, judges must also maintain a neutral expression while officiating. However, it is not uncommon to see judges smile or laugh openly when young teenage professionals struggle to perform their tasks melodiously as they go through voice change.[11] The proximity to the ring and the fights is not without risk, and judges may be knocked over by wrestlers who fall off the dohyō. More anecdotally, it is even less rare for judges to have their feet stepped on or their trouser torn by wrestlers making their way to the ring.[29]

Banzuke and promotions

Main article: Banzuke

The judges are involved in establishing the rankings of the wrestlers, known as the banzuke. To do this, they meet on the Wednesday immediately following the end of a tournament.[11][44] It is widely accepted that the personalities of judges play a major role in the promotions and demotions of wrestlers.[11] In addition, power struggles and influence within the department may also play a role in the final decisions.[44]

Deliberations and ranks are decided in secret, the only exceptions being promotions to the ranks of jūryō, ōzeki, or yokozuna, which are the only ones announced on the day of the meeting so that the wrestlers concerned have time to prepare for their new rank.[44]

The gyōji are also involved in the meeting as they act as clerks during the debates.[45] During the meeting, the gyōji serve only as observers and are not invited to speak.[46] Three gyōji are responsible for recording decisions on promotions and demotions, and their work is then used as the basis for the calligraphy known to the public.[45]

If a promising wrestler meets the conditions (more or less or completely) that would allow him to be promoted to ōzeki, it is up to the Judging Department to vote internally by majority to decide whether the wrestler deserves promotion. If they agree on the promotion, the judges send a request to the JSA board of directors for an extraordinary meeting to discuss the decision of the promotion.[47] In the event of promotion to the rank of yokozuna, the board of directors considers the request of the judges and forwards it to the Yokozuna Deliberation Council.[48][49] In both cases, it is then traditional for a director and a member of the Judging Department to then visit the newly promoted wrestler's stable to announce the news, which takes place as part of a formal traditional ceremony.[47][48]

The quality of the techniques used in the ring is recognized as an important criterion in the eyes of the Judging Department.[50] It is customary for the board of directors to follow the recommendations of the judges.[51]

Organizing matches and monitor practices

The matches are decided by judges during planning meetings, deciding which combinations of wrestlers will compete against each other.[52] As with the deliberations of the banzuke, the gyōji are also involved in the meeting as they act as clerks during the debates.[52][53] The matches for the first two days are decided two days before the start of the tournament. From the third day onwards, the matches are decided the morning of the day before, meaning that the next day's matches are decided before the results of the same-day matches are known.[52][54][55] The fourteenth and fifteenth days are exempt from this practice, and their matches are decided in the evening, after all matches have been completed.[52][55] During decision-making meetings, matches are recorded on a very long scroll bearing the kanji for mirror (鏡) to symbolize that the organization is free from malice or error. All wrestlers are ranked in banzuke order on the scroll. Above their shikona are listed the wrestlers they have defeated, and below are the wrestlers who have defeated them.[53] The judges plan the matches by placing Go stones on the ring names.[46][52][55]

All members of the Judging Department play a role in predicting matches, but other toshiyori may be involved without having the authority to sit ringside to judge matches.[12]

Judges are responsible for issuing rules of etiquette to wrestlers in order to regulate behavior and preserve the dignity surrounding professional sumo. To this end, the judges intervenes, albeit rarely, at meetings of the rikishi-kai (力士会), the pseudo syndicate grouping together sekitori-ranked wrestlers.[56][57] Judges may also reinforce their instructions by issuing warnings to the coaches of wrestlers who break the rules.[58] Recent examples of rules enacted by the Judging Department includes prohibiting a wrestler suffering from a concussion from continuing a match, even if the outcome of the match is being contested.[59]

See also

References

Citations

  1. ^ a b c Cuyler 1979, p. 75.
  2. ^ Buckingham 1994, p. 71.
  3. ^ Buckingham 1994, p. 162.
  4. ^ a b c d e f Buckingham 1994, p. 166.
  5. ^ a b Cuyler 1979, pp. 99–100.
  6. ^ a b c Takanaga & Harada 1990, p. 230.
  7. ^ a b c d Kenrick 1969, p. 112.
  8. ^ Kenrick 1969, p. 111.
  9. ^ "検査長（読み）けんさちょう精選版 日本国語大辞典 「検査長」の意味・読み・例文・類語". Nihongo Daijiten (in Japanese). Retrieved 19 May 2025 – via Kotobank encyclopedia.
  10. ^ Kenrick 1969, p. 114.
  11. ^ a b c d e f g h i Gunning, John (13 September 2018). "Sumo 101: Ringside judges". The Japan Times. Archived from the original on 13 September 2018. Retrieved 24 November 2025.
  12. ^ a b c d e "なぜ陸奥親方が事業部長、九重親方が役員待遇?!　日本相撲協会の親方職務を読み解く" (in Japanese). Nikkan Sports. 6 April 2022. Retrieved 24 November 2025.
  13. ^ "日本相撲協会が職務分掌を発表 審判部長は伊勢ケ浜親方 元稀勢の里の荒磯親方が記者クラブ担当に". Chunichi Sports. 25 March 2020. Archived from the original on 26 March 2020. Retrieved 26 November 2025.
  14. ^ a b Hall 1997, p. 98.
  15. ^ Newton & Toff 2000, p. 23.
  16. ^ a b c d "増位山太志郎 多芸多趣味は老い知らず <9>相撲を楽しむ審判や判定の見方…行司差し違えが多いのはなぜか" (in Japanese). Nikkan Gendai. 12 October 2020. Retrieved 24 November 2025.
  17. ^ a b "【元横綱稀勢の里コラム】審判部に配属　分かりやすい説明を心がけたい" (in Japanese). Sports Nippon. 8 June 2022. Retrieved 24 November 2025.
  18. ^ Kenrick 1969, p. 95.
  19. ^ Buckingham 1994, p. 6.
  20. ^ a b c Newton & Toff 2000, p. 24.
  21. ^ Kenrick 1969, pp. 95–96.
  22. ^ a b c Schilling 1994, p. 50.
  23. ^ "元大関豪栄道の武隈親方が新審判「力士の人生が懸かっているので、気を引き締めて」" (in Japanese). Nikkan Sports. 27 March 2024. Retrieved 24 November 2025.
  24. ^ a b "Sumo Scene / Return of the Idei: Stablemasters in Nara-Period Costumes Evoke Ancient Sumo Traditions". The Japan News. The Yomiuri Shimbun. 12 November 2025. Retrieved 24 November 2025.
  25. ^ Schilling 1994, p. 49.
  26. ^ a b Cuyler 1979, p. 177.
  27. ^ Hall 1997, p. 75.
  28. ^ a b Kakuma 1993, p. 88.
  29. ^ a b c d e "【大相撲】秀ノ山親方が明かす「審判」の舞台裏　危険と隣り合わせ…「大ケガをすることも」" (in Japanese). Tokyo Sports. 21 August 2025. Retrieved 24 November 2025.
  30. ^ a b Kenrick 1969, p. 31.
  31. ^ Cuyler 1979, p. 125.
  32. ^ Sharnoff, Lora (March 2004). "Natsu Basho Preview: Lone Yokozuna Asashoryu poised to become one of sumo's all-time greats". Weekender Online. Archived from the original on 27 September 2007. Retrieved 2 October 2012.
  33. ^ "Sumo Scene / The Eyes at the Side of the Ring That Help Get Calls Right". The Japan News. The Yomiuri Shimbun. 13 November 2024. Retrieved 24 November 2025.
  34. ^ Buckingham 1994, p. 72.
  35. ^ Schilling 1994, p. 51.
  36. ^ "大誤審で異例の「やり直し」琴桜―熱海富士の一番で勝負審判が琴桜の足が出たと誤審　館内騒然" (in Japanese). Nikkan Sports. 17 January 2025. Retrieved 18 January 2025.
  37. ^ "土俵内にiPad！？アマチュア相撲で初の「VAR判定」導入　映像を見ながら審判団が協議" (in Japanese). Sports Nippon. 4 September 2022. Retrieved 24 November 2025.
  38. ^ "【相撲インターハイ】80キロ級は秋田北鷹2年の山城結が優勝！次の目標は2階級制覇" (in Japanese). Sports Nippon. 6 August 2023. Retrieved 24 November 2025.
  39. ^ Cuyler 1979, p. 174.
  40. ^ Kenrick 1969, pp. 102–103.
  41. ^ Newton & Toff 2000, pp. 23–24.
  42. ^ Newton & Toff 2000, p. 106.
  43. ^ "「宇良は決まり手係泣かせ」決まり手係の甲山親方が明かしたビデオ室での「伝え反り」判定裏事情" (in Japanese). Nikkan Sports. 22 May 2025. Retrieved 24 November 2025.
  44. ^ a b c Gunning, John (2 May 2018). "Ancient banzuke adds human touch to sumo". The Japan Times. Archived from the original on 3 May 2018. Retrieved 24 November 2025.
  45. ^ a b "ことば談話室 スポーツ相撲字と番付". The Asahi Shimbun (in Japanese). 12 September 2013. Retrieved 13 November 2023.
  46. ^ a b Iizuka, Saki (7 November 2020). "大相撲の行司さんって土俵裁き以外に何をしている？". Number (in Japanese). Archived from the original on 6 June 2022. Retrieved 13 November 2023.
  47. ^ a b "高安、大関は31日正式決定／昇進までの流れメモ" (in Japanese). Nikkan Sports. 27 May 217. Retrieved 24 November 2025.
  48. ^ a b "大の里Ｖに高田川審判部長「強い。言うことない」昇進確実も「あと２番見ましょう」" (in Japanese). Nikkan Sports. 23 May 2025. Retrieved 24 November 2025.
  49. ^ "【初場所】豊昇龍　高田川審判長が横綱推薦の理由を説明「文句のつけようがない」" (in Japanese). Tokyo Sports. 26 January 2025. Retrieved 26 November 2025.
  50. ^ "朝乃山の大関昇進が確実に…相撲協会が臨時理事会を招集決定　富山から１１１年ぶり誕生へ" (in Japanese). Sports Hochi. 22 March 2020. Retrieved 24 November 2025.
  51. ^ "「大関安青錦」の誕生確実、昇進を諮る臨時理事会の招集を了承　豊昇龍との決定戦制し初優勝" (in Japanese). Nikkan Sports. 23 November 2025. Retrieved 24 November 2025.
  52. ^ a b c d e "相撲の仕組み 取組編成" (in Japanese). It's a sumo world. Retrieved 27 November 2025.
  53. ^ a b "大相撲 行司のもうひとつの仕事、「番付」の書き手" (in Japanese). Pilot. 8 January 2025. Retrieved 27 November 2025.
  54. ^ "相撲協会、優勝争い見据え、結果を見て取組を編成" (in Japanese). Nikkan Sports. 20 March 2020. Retrieved 27 November 2025.
  55. ^ a b c "新・夢場所開催の準備" (in Japanese). Yumebasho Blog. Retrieved 27 November 2025.
  56. ^ "白鵬の"ラフプレー"に照準 新生「審判部」が相撲を変える" (in Japanese). Nikkan Gendai. 17 October 2016. Retrieved 27 November 2025.
  57. ^ "立ち合い乱れ審判部が注意　振る舞い全般も" (in Japanese). Nikkan Sports. 27 April 2016. Retrieved 27 November 2025.
  58. ^ "審判部、手つき不十分の力士師匠に口頭で注意" (in Japanese). Nikkan Sports. 12 November 2016. Retrieved 27 November 2025.
  59. ^ "大相撲力士の脳振とう問題について思うこと" (in Japanese). Nikkan Sports. 21 January 2021. Retrieved 27 November 2025.

Bibliography

This article is issued from Wikipedia. The text is available under Creative Commons Attribution-Share Alike 4.0 unless otherwise noted. Additional terms may apply for the media files.