Edward Keating (photojournalist)

Edward Keating
Born
Edward Nicholas Keating Jr.

(1956-03-04)March 4, 1956
DiedSeptember 26, 2021(2021-09-26) (aged 65)
OccupationPhotojournalist
Spouse
(m. 1988)
Children2
AwardsPulitzer Prize for Spot Photography, 1994 & 2002

Edward "Ed" Keating (March 4, 1956 - September 26, 2021) was an American street photographer and photojournalist who won the Pulitzer Prize twice while working as a photographer at the New York Times from 1992 to 2003.

He is noted for repeatedly gaining unauthorized access to the World Trade Center "Ground Zero" site following the September 11 attacks and documenting the clean up.

He died in September 2021, from cancer he attributed to toxic dust exposure at the World Trade Center site.

Personal life

Edward Nicholas Keating Jr. was born in Greenwich, Connecticut on March 4, 1956.[1][2]

His father, who was a manager at tire manufacturer B.F. Goodrich died of a heart attack when Edward was eight years old. His mother Gloria (Haupt) Keating, was a housewife who committed suicide seven years later.[1]

His older sister Cynthia McClanaghan, then in her twenties, became guardian to Edward and his two younger brothers until he graduated from New Canaan High School.[1]

Keating studied political science at American University from 1974 to 1977 but "burned out" due to a period of alcoholism.[1] After going sober in September 1977 he went to study American literature at Columbia University where he spent a $400 tax break on a 35mm Ricoh camera and joined the staff of the Columbia Spectator college newspaper.[2] He ultimately left to pursue photography without graduating.[2]

He married editor and photographer Carrie Boretz in 1988 and had two daughters.[1]

Keating died at age 65 on September 26, 2021 at the Memorial Sloan-Kettering Cancer Center in Manhattan. He attributed his cancer “to the days and nights he had spent inhaling toxic dust in the midst of the ruins of the World Trade Center.”[1]

Career

With a $400 tax credit, he bought a 35mm Ricoh camera and a 50mm lens, and began working as a street photographer and documentary photographer.[3] After seven years he became a freelancer at the New York Times.

In August 1991, he was reporting on the Crown Heights riots in Brooklyn when he was beaten by a gang of a hundred men. “Stripped of my gear, on the ground, kicked and beaten.[4] Two cops showed up, guns drawn. They thought I was dead.”[3] Following this, the New York Times hired Keating full-time.[3]

In 1992 Keating founded the "Vows" wedding column in the New York Times, covering weddings with an unconventional, journalistic style.[3][2][5]

In 2002, Edward Keating shared the Pulitzer Prize for Current Photography with other New York Times photographers for their coverage of the September 11 attacks the previous year.[2] Keating repeatedly gained unauthorised access to "Ground Zero" at the World Trade Center, where he was arrested on at least one occasion for criminal trespass.[4][6]

Keating became the subject of controversy and a discussion on journalistic ethics in September 2002 when he was accused of staging a photo of a young boy holding a toy gun in front of a sign from Arabian Foods in Lackawanna, NY.[1] An editor selected the image to illustrate a report on six Arab-Americans suspected of being linked to Al Qaeda.[7] "It was a disaster. I waved my hand to get the kid's attention as he looked to the other side. Reuters photographers across the street thought I was putting him on the scene. I took the photo as a conceptual portrait, but the Times editor, looking for a photo to illustrate his article published it as a current photo."[3] He was suspended from the Times[4] and dismissed in 2003.[3]

He then became a freelance photographer, and his reports were published by numerous magazines, also working for advertising campaigns, or weddings that he photographed with a documentary angle sought by his clients.

Between 2000 and 2011, he traveled the 1,500 miles (2,400 km) of Route 66, from Chicago to Santa Monica, and documented the living conditions of those who lived on this mythical road today in disrepair. “Contrary to the myth of Route 66 being a place of postcard fun and adventure, what I found on my trips across the 'Mother Road' was a road and a culture in distress.”[8][9] This long-term project culminated in 2018 in the publication of the book Main Street: The Lost Dream of Route 66, whose preface is written by his friend and mentor Robert Frank.

From 2004 onwards, he regularly contributed to Time, Rolling Stone, "W" and New York magazine.

Noted exhibitions

  • 1994: "Weddings in New York", Visa for the image, Perpignan[10]
  • 1996: "Pictures of the Times: A Century of Photography from The New York Times," Museum of Modern Art, New York[11]
  • 1999: "Exile New York", The Leica Gallery, New York[12]
  • 2006: "30 years of Contact(s)", group exhibition, Visa pour l'image, Perpignan
  • 2008: "New York", Pingyao International Photography Festival, China, alongside Robert Frank's "The Americans" series.
  • 2011: "Route 66", Bursa Fotofest, Turkey
  • 2018: "Main Street: The Lost Dream of Route 66," Nailya Alexander Gallery, New York[13][9]

Publications

  • Vows: Weddings Of The Nineties From The New York Times, New York, William Morrow, 1997, with Lois Smith Brady[14]
  • Main Street: The Lost Dream of Route 66, Bologna, Damiani, 2018[15]

Awards and Awards

  • 1994: Pulitzer Prize in the "Spot News Reporting" category with the New York Times office
  • 2000: Pulitzer Prize for National Reporting with the New York Times for the series "How Race is Lived in America"[13]
  • 2002: John Faber Overseas Press Club of America Award[13]
  • 2002: Overseas Press Club of America Award, for its series of photographs on the September 11 attacks
  • 2002: Pulitzer Prize for News Photography for its coverage of the September 11, 2001 attacks, with the New York Times

Public Collections

  • Museum of Modern Art, New York[16]
  • Norton Museum of Art, West Palm Beach[16]
  • The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, New York Public Library

References

  1. ^ a b c d e f g Alex Traub (30 September 2021). "Edward Keating, Times Photographer at Ground Zero, Dies at 65". The New York Times. Archived from the original on 30 September 2021. Retrieved 4 March 2026.(subscription required)
  2. ^ a b c d e Maya Mitrasinovic; Faith Andrews (8 October 2021). "Edward Keating, Pulitzer Prize winner and former Spectator photo editor, dies at 65". Columbia Daily Spectator. Archived from the original on 8 October 2021. Retrieved 4 March 2026.
  3. ^ a b c d e f Karla Araujo (13 August 2015). "Edward Keating". Martha's Vineyard Arts & Ideas. Archived from the original on 14 August 2015. Retrieved 4 March 2026.
  4. ^ a b c Cynthia Cotts (5 November 2002). "Man of Nine Lives". Village Voice. Archived from the original on 24 November 2017. Retrieved 6 March 2026.
  5. ^ "Edward Keating". doteditions.com. Dot Editions. 9 April 2009. Archived from the original on 24 August 2019. Retrieved 5 March 2026.
  6. ^ Ed Keating (25 October 2021). 5 Tips for Fearless Photojournalism with Ed Keating. Interviewed by Todd, Helen. Leica Society International. Retrieved 5 March 2026.
  7. ^ "THREATS AND RESPONSES: THE BUFFALO CASE; Murky Lives, Fateful Trip In Buffalo Terrorism Case". New York Times. New York Times. 20 September 2002. Archived from the original on 27 May 2015. Retrieved 6 March 2026. Editors' Note: October 25, 2002, Friday "A picture in early editions on Sept. 20 showed a 6-year-old boy aiming a toy pistol alongside a sign reading Arabian Foods outside a store in Lackawanna, N.Y., near Buffalo. The store was near the scene of two arrests in a raid described by the authorities as a pre-emptive strike against a cell of Al Qaeda, and the picture appeared with an article recounting life stories of the detainees. The picture was not relevant to the article and should not have appeared; news editors deleted it before later editions went to press. After the picture was published, two editors from other news organizations telephoned The Times to report that their photographers said it had been posed. The Times's policy guideline on journalistic integrity says, in part, Pictures of news situations must not be posed; many news organizations have similar policies. In response to the calls, Times editors conducted an inquiry, interviewing the Times photographer and several witnesses. The inquiry could not establish that the picture had been posed. Later, however, The Times received a call from The Columbia Journalism Review, which was also investigating reports of the incident. Senior Times editors conducted a further inquiry and inspected the images from the entire photo assignment. The editors concluded, and the photographer acknowledged, that the boy's gesture had not been spontaneous. The Times regrets this violation of its policy on journalistic integrity."(subscription required)
  8. ^ Edward Keating. "Main Street - The Lost Dream of Route 66". Route Magazine. Retrieved 4 March 2026.
  9. ^ a b "Main Street: The Lost Dream of Rt. 66". Route 66 Centennial. Retrieved 4 March 2026.
  10. ^ "6e Visa pour l'Image – Perpignan". 2e-bureau (in French). 1994. Retrieved 6 March 2026.
  11. ^ "Edward Keating/The New York Times". Museum of Modern Art. Retrieved 6 March 2026.
  12. ^ Kay Larson (2 April 1999). "ART IN REVIEW; Edward Keating: 'Exile New York'". The New York Times. Archived from the original on 27 May 2015. Retrieved 6 March 2026.(subscription required)
  13. ^ a b c "Edward Keating: MAIN STRƎƎT: The Lost Dream of Route 66". The Eye of Photography Magazine. 11 December 2018. Archived from the original on 11 December 2018. Retrieved 6 March 2026.
  14. ^ Edward Keating (1997). Smith Brady, Lois (ed.). Vows: weddings of the nineties from the New York times (1st ed.). New York: William Morrow. ISBN 978-0688150525.
  15. ^ Keating, Edward; LeDuff, Charlie (4 October 2018). Main Street: the lost dream of Route 66 (1st ed.). Bologna: Damiani. ISBN 978-8862086004.
  16. ^ a b "Edward Keating: A Fearless Legacy". carriagebarn.org. New Canaan, Connecticut: Carriage Barn Arts Center. 2024. Retrieved 6 March 2026. Keating's work is in the permanent collections of The Museum of Modern Art in New York City and The Norton Museum of Art in West Palm Beach, Florida.