David Brothers
David Brothers | |
|---|---|
| Occupations |
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| Style | Installation art |
| Website | davidbrothers |
David Brothers is an American multidisciplinary artist and filmmaker. He is notable for his art installations and co-direction of the avant-garde film It Is Fine! Everything Is Fine. (2007). His work frequently examines the line between the artificial and the authentic, exploring surreal, fantastical, and dystopian themes.[1] Brothers' photography has appeared in publications such as Rolling Stone,[2] Maxim, Popsmear, SLUG, Dear Dave, and Stuff magazines.[3]
Career
Artistic Career
Brothers began producing, writing, and acting in radio dramas, with notable projects including The Church of Jayne Mansfield and The New Atomic Age.[3] He wrote, illustrated, and published a variety of works, including comic books, pamphlets, religious tracts, trading cards, and Tijuana bibles, displaying an interest in unconventional storytelling and use of multiple media.[4]
By day, Brothers worked as a film industry set designer, constructing immersive and believable spaces.[5] His professional experience constructing sets informs his artwork, where he builds and photographs sets in his studio, creating images that blur the boundary between artifice and reality.[6] A recurring theme in Brothers' artwork is the exploration of constructed environments.[4][7] His sets invite viewers to question the distinction between the artificial and the authentic.[5][8]
Filmmaking Career
Brothers has created both animated and live-action films, with three of his works featured at the Sundance Film Festival. Brothers co-directed the short film The Backward Swing (1987) and the feature film It Is Fine! Everything Is Fine. (2007) with Crispin Glover.[9] The latter project is the second film in Glover’s It trilogy.[10] An intensely personal and surreal film, written by and starring Steven C. Stewart, that examines themes of disability, sexuality, and psychological complexity.[11] Critics have praised the film for its audacity and originality, with Time Out calling it “profoundly uncomfortable and eerily poetic.”[12] The New York Times noted the film's unique vision, blending stark realism with surreal imagery to challenge societal preconceptions.[13]
References
- ^
Kubarycz, Brian (February 4, 2016). "Sisyphean Art: David Brothers' Rolithica". SLUG Magazine. Retrieved November 26, 2024.
{{cite web}}: CS1 maint: deprecated archival service (link) - ^ Hedergaard, Erik (August 21, 2003). "Not of this World". Rolling Stone (929): 60–62. Retrieved November 26, 2024.
- ^ a b
George, Daniel (January 9, 2020). "David Brothers: What A Show Show". Lenscratch. Retrieved November 26, 2024.
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15 Bytes (July 13, 2016). "Degrees of Authenticity: David Brothers' Places and Propositions". 15 Bytes. Retrieved November 26, 2024.
{{cite web}}: CS1 maint: deprecated archival service (link) CS1 maint: numeric names: authors list (link) - ^ a b
Corrigan, Lizz (February 28, 2019). "David Brothers: The What-A-Show Show". SLUG Magazine. Retrieved November 26, 2024.
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"David Brothers: Rolithica". Utah Museum of Contemporary Art. Retrieved November 26, 2024.
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"Utah Museum of Contemporary Art tackles politics, immigration in new exhibits". Deseret News. February 7, 2016. Retrieved November 26, 2024.
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Ortega, Alexander (May 25, 2023). "Work in Progress with David Brothers". Southwest Contemporary. Retrieved November 26, 2024.
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Gray, Richard (July 12, 2012). "Interview: Crispin Glover". The Reel Bits. Retrieved November 26, 2024.
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Jordan, Emily (June 2, 2017). "What exactly is it? Crispin Glover's surreal, cinematic vision of the big, bad world". Salon. Retrieved November 26, 2024.
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Griggs, Brandon (February 18, 2005). "Glover's 'What Is It?' aptly describes film". The Salt Lake Tribune. Retrieved November 26, 2024.
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"Review: It Is Fine! Everything Is Fine". Time Out. November 20, 2007. Retrieved November 26, 2024.
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Kern, Laura (November 21, 2007). "Fantasies Without Bounds for a Lothario With Limits". The New York Times. Retrieved November 26, 2024.
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