Butades
Butades of Sicyon (Ancient Greek: Βουτάδης Boutades), sometimes mistakenly called Dibutades, was the reputed inventor of the art of modelling clay in relief.[1] An accident first led him to practise, in conjunction with his daughter, at Corinth. The period at which he flourished is unknown, but has been estimated at 600 BC.[2]
The story, as recorded by Pliny the Elder, is that his daughter was smitten with love for a youth at Corinth where they lived. When he was due to go abroad, she drew the outline of his shadow on a wall thrown by the light of a lamp. It was upon this outline her father modelled a face of the youth in clay, which he baked along with the clay tiles which it was his trade to make. This model was preserved in the Nymphaeum in Corinth until Mummius sacked that city in 146 BC.[1][3]
Because of this occurrence with his daughter, Butades began a practice that is supported by a large body of existing evidence: he began to decorate the ends or edges of rain gutter roof tiles with masks of human faces, first in low relief (prostypa), then in high relief (ectypa).[1] It was from these terra-cotta figures that the ornaments on the pediments of temples originated.[4] Pliny adds that Butades invented the colouring of plastic works by adding a red colour to them; from the existing works of this kind it seems to have been red sand, or modelling them in red chalk.[5] He is also said to have invented a mixture of clay and ruddle (red ochre), or to have introduced the use of a special kind of red clay.[1] And it is because of him that modellers get the Greek name plastae.[1][3]
References
- ^ a b c d e "Pliny, Natural History, 35 (b)". attalus.org. Retrieved 2026-03-05.
- ^ Rosenblum, Robert (December 1957). "The Origin of Painting: A Problem in the Iconography of Romantic Classicism". The Art Bulletin. 39 (4): 279. doi:10.2307/3047729.
- ^ a b Pliny the Elder. "Natural History". www.loebclassics.com. Retrieved 2026-03-05.
- ^ "A Dictionary of Greek and Roman biography and mythology, DABAR, Dia'goras, Dibu'tades". www.perseus.tufts.edu. Retrieved 2026-03-05.
- ^ "Pliny the Elder, The Natural History, BOOK XXXV. AN ACCOUNT OF PAINTINGS AND COLOURS., CHAP. 12. (6.)—PIGMENTS OTHER THAN THOSE OF A METALLIC ORIGIN. ARTIFICIAL COLOURS". www.perseus.tufts.edu. Retrieved 2026-03-05.
Sources
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Butades". Encyclopædia Britannica. Vol. 4 (11th ed.). Cambridge University Press. p. 877.
- Naturalis Historia, Liber XXXV
- Naturalis Historiae, Liber XXXV
External links
- The Public Domain Review, The Shadow of Desire: Painting the Origins of Art (ca. 1625–1850)
- Journal of Art Historiography, The origin (and decline) of painting: Iaia, Butades and the concept of 'Women’s Art' in the 19th Century"
- Journal of Art Historiography The origin (and decline) of painting: Iaia, Butades and the concept of 'Women's Art' in the 19th Century